{"title":"边境战争:美墨边境的电视叙事与影像","authors":"Reece A. Jones","doi":"10.4324/9781315600659-17","DOIUrl":null,"url":null,"abstract":"This paper analyzes the visual and narrative representation of the US-Mexico border in the National Geographic television show \"Border Wars.\" The show is significant because it brings the hidden and often opaque borderlands into the homes of millions of Americans, and viewers around the world, every week. It transforms the unknown space of the border into a series of images and stories that create a coherent narrative for the viewer. The representation of the border emphasizes threat and danger through the constant repetition of particular phrases (terrorism, war, cartel foot soldiers) and images (guns, high-speed chases, Black Hawk helicopters, Predator drones). Despite the militaristic lead-ins to each episode, the dramatic music, and the heightened drama of the storytelling, in the end most of the episodes present a more prosaic border landscape of poor migrant workers looking for a better life. This disjuncture between the official narrative of the border and the images of what happens in the show provide a crucial insight into the role popular geopolitical narratives play in creating a version of reality and convincing the public that the ‘problem’ of the border needs a securitized and militarized response.","PeriodicalId":39706,"journal":{"name":"ACME","volume":"31 1","pages":"530-550"},"PeriodicalIF":0.0000,"publicationDate":"2014-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"16","resultStr":"{\"title\":\"Border Wars: Narratives and Images of the US-Mexican Border on TV\",\"authors\":\"Reece A. Jones\",\"doi\":\"10.4324/9781315600659-17\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper analyzes the visual and narrative representation of the US-Mexico border in the National Geographic television show \\\"Border Wars.\\\" The show is significant because it brings the hidden and often opaque borderlands into the homes of millions of Americans, and viewers around the world, every week. It transforms the unknown space of the border into a series of images and stories that create a coherent narrative for the viewer. The representation of the border emphasizes threat and danger through the constant repetition of particular phrases (terrorism, war, cartel foot soldiers) and images (guns, high-speed chases, Black Hawk helicopters, Predator drones). Despite the militaristic lead-ins to each episode, the dramatic music, and the heightened drama of the storytelling, in the end most of the episodes present a more prosaic border landscape of poor migrant workers looking for a better life. This disjuncture between the official narrative of the border and the images of what happens in the show provide a crucial insight into the role popular geopolitical narratives play in creating a version of reality and convincing the public that the ‘problem’ of the border needs a securitized and militarized response.\",\"PeriodicalId\":39706,\"journal\":{\"name\":\"ACME\",\"volume\":\"31 1\",\"pages\":\"530-550\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2014-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"16\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ACME\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4324/9781315600659-17\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ACME","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4324/9781315600659-17","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Border Wars: Narratives and Images of the US-Mexican Border on TV
This paper analyzes the visual and narrative representation of the US-Mexico border in the National Geographic television show "Border Wars." The show is significant because it brings the hidden and often opaque borderlands into the homes of millions of Americans, and viewers around the world, every week. It transforms the unknown space of the border into a series of images and stories that create a coherent narrative for the viewer. The representation of the border emphasizes threat and danger through the constant repetition of particular phrases (terrorism, war, cartel foot soldiers) and images (guns, high-speed chases, Black Hawk helicopters, Predator drones). Despite the militaristic lead-ins to each episode, the dramatic music, and the heightened drama of the storytelling, in the end most of the episodes present a more prosaic border landscape of poor migrant workers looking for a better life. This disjuncture between the official narrative of the border and the images of what happens in the show provide a crucial insight into the role popular geopolitical narratives play in creating a version of reality and convincing the public that the ‘problem’ of the border needs a securitized and militarized response.
ACMESocial Sciences-Geography, Planning and Development
CiteScore
1.50
自引率
0.00%
发文量
1
期刊介绍:
ACME is an on-line international journal for critical and radical analyses of the social, the spatial and the political. The journal"s purpose is to provide a forum for the publication of critical and radical work about space in the social sciences - including anarchist, anti-racist, environmentalist, feminist, Marxist, non-representational, postcolonial, poststructuralist, queer, situationist and socialist perspectives. Analyses that are critical and radical are understood to be part of the praxis of social and political change aimed at challenging, dismantling, and transforming prevalent relations, systems, and structures of capitalist exploitation, oppression, imperialism, neo-liberalism, national aggression, and environmental destruction.