追忆往昔:玛格丽特·劳伦斯的《石头天使》和罗辛顿·米斯特里的《家事》中叙事的女性化

IF 0.1 0 LITERARY THEORY & CRITICISM Literary Voice Pub Date : 2023-01-01 DOI:10.59136/lv.2023.1.1.105
Dr. Indira Chakraborty (Bhattacharya)
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引用次数: 0

摘要

人类天生就是讲故事的动物。无论他们做什么、思考、推测、说话,甚至做梦,都遵循一种叙事——一种本质上讲故事的模式。讲故事的连贯性可能是一种自然现象,必然是内在的。有趣的是,说话的能力和获得智慧的能力都是一生的事情。人们一次又一次地观察到,老年学家已经展示了衰老的相互交织的维度,因此,这些维度反过来又越来越重视老年学的研究——它们包括成长的“时间”、“精神”和“诗意”方面。谈到人类讲故事的倾向,我们可以说,任何故事的叙述都是人类用来理解生命的“短暂性”的东西,他们将其赋予意义和逻辑,从而为他们的生活增添连贯性,或公开或不公开。因此,这篇文章的目的显然是质疑许多老年学家对这个“年龄”和“衰老”叙事的“主张”,而这些说法反过来又可以通过虚构人物来证实,比如玛格丽特·劳伦斯的《石天使》中的夏格·希普利,还有罗辛顿·米斯里奇的《家庭事务》中的纳里曼·瓦克尔,同时也质疑衰老的某些古老属性是如何通过这些文学文本来质疑的
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Remembrance of Things Past: Feminisation of Narrative in Margaret Laurence’s The Stone Angel and Rohinton Mistry’s Family Matters
Human beings are inherently storytelling creatures. Whatever they do, think, speculate, speak, or even dream does follow a narrative – a pattern that essentially tells a story. Coherence in storytelling is probably a naturalized phenomenon, necessarily inbuilt. Interestingly, the ability of narration and gaining wisdom both are something which happen throughout one’s lifetime. It has been observed time and again that gerontologists have shown intertwining dimensions of ageing and these therefore, in turn, attach increasing importance to the study of gerontology –they include ‘temporal’, ‘spiritual’ and ‘poetical’ aspects of growing. Arriving at the human tendency of storytelling, it can be stated that the narrative of any story is something that human beings use to understand the ‘temporality’ of life, one with which they attribute meaning and logic and hence add coherence to their life, overtly or otherwise. Thus, the purpose of this essay obviously would be to question the ‘claims’ of this ‘age’ and ‘ageing’ narrative of many gerontologists which in turn can be substantiated by fictional characters like Hagar Shipley from Margaret Laurence’s The Stone Angel and also Nariman Vakeel from Rohinton Mistry’s Family Matters and also question how certain age-old attributes of ageing can be questioned through these literary texts
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Literary Voice
Literary Voice LITERARY THEORY & CRITICISM-
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