记录城市变化:中产阶级化、代表性和生活保障

IF 1 Q3 GEOGRAPHY Geohumanities Pub Date : 2021-05-19 DOI:10.1080/2373566X.2021.1877561
N. Earhart
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引用次数: 0

摘要

1984年的纪录片《贫民窟》(Los ures)描绘了波多黎各人在布鲁克林南威廉斯堡(South Williamsburg)的贫困社区。2014年,总部位于布鲁克林的非营利纪录片组织UnionDocs重新发行了这部鲜为人知的电影,同时还发行了一系列新的多媒体内容。该项目名为Living Los ures,是对社区激进转型的一种声明,也是对社区意识和连续性的一种呼吁。这篇文章通过纪录片研究和对中产阶级化的批判性地理视角的镜头,参与了这样一个事业的政治和美学。我认为,虽然《洛杉矶生活》背叛了一种与许多纪录片制作一致的有缺陷的自由主义,但它仍然为当代城市的时空想象提供了一个独特的优势。我追溯了原始电影及其重新发行与纽约市最近的历史,并认为这个项目阐明了新自由主义时代的政治团结和代表性问题。
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Documenting Urban Change: Gentrification, Representation, and Living Los Sures
The 1984 documentary Los Sures is a portrait of the poverty-stricken Puerto Rican neighborhood of South Williamsburg, Brooklyn. In 2014, the Brooklyn-based documentary nonprofit UnionDocs re-released this little-seen film, along with a host of new multimedia content. The project, titled Living Los Sures, is alternatively a statement on the neighborhood’s radical transformation and an appeal to a sense of community and continuity. This essay engages the politics and esthetics of such an undertaking through the lens of both documentary-film studies and critical geographic perspectives on gentrification. I argue that while Living Los Sures betrays a flawed liberalism consistent with much documentary filmmaking, it nevertheless offers a unique vantage point onto the spatiotemporal imaginary of the contemporary city. I trace the original film and its re-issue against New York City’s recent history and contend that this project illuminates questions of political solidarity and representation in the neoliberal era.
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来源期刊
Geohumanities
Geohumanities GEOGRAPHY-
CiteScore
1.30
自引率
14.30%
发文量
22
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