蓝森雀

Q1 Arts and Humanities Anthropology and Humanism Pub Date : 2023-08-07 DOI:10.1111/anhu.12496
Eva van Roekel Cordiviola
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引用次数: 0

摘要

为什么小说可以帮助我们创作和分享民族志作品,当生活在不断变化的时候,和我们一起生活的人也很难“理性”地理解发生在他们身上的事情?这部关于爱情、困境和重生的民族志小说以委内瑞拉的深度危机为背景——金钱变得一文价值,家庭破碎,相互信任消失,工作和食物稀缺,每个人都在努力谋生。在与研究参与者和朋友的在线交流中,重新阅读实地记录,以及20年前与委内瑞拉家庭一起长大的痛苦记忆的浮现中,创造性的努力产生了。围绕蝴蝶的情节结合了这些个人记忆,以及委内瑞拉人如何理解失去和不平等的自然丰裕、人性、脆弱性和蜕变的新兴理解。故事讲述了在加拉加斯出生和长大的中上层阶级女性玛丽安娜拉的生活,她和三岁的女儿阿尔芭最终来到了委内瑞拉南部的一个金矿。一天,在巴西边境,一只蓝蝴蝶警告她,她心爱的看护人去世了。为了克服这一损失,玛丽安内拉打算最终摆脱奴役。
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Blue Morpho
In what why can fiction help us craft and share ethnographic work when life is in flux and the people with whom we live with also have a hard time making “rational” sense of what is happening to them? This ethnographic fiction about love, quandary, and rebirth is set against the deep crisis in Venezuela—money has become worthless, families are shattered, mutual trust has evaporated, jobs and food are scarce, and everyone is trying to make a living. The creative endeavour arose during online exchanges with research participants and friends, the re‐reading of fieldnotes, and the surfacing of poignant memories while growing up with a Venezuelan family twenty years ago. The plot around the butterfly coalesced with these personal memories and an emerging understanding of natural abundance, human, fragility, and metamorphosis in how Venezuelans make sense of loss and inequality. The storyline follows the life of Marianela, an upper middle‐class woman born and bred in Caracas, who ends up in a goldmine in the south of Venezuela with her three‐year daughter Alba. One day, at the Brazilian border, a blue butterfly warns her that her beloved caretaker passed away. To overcome this loss, Marianela intents to finally break away from subjugation.
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来源期刊
Anthropology and Humanism
Anthropology and Humanism Arts and Humanities-Literature and Literary Theory
CiteScore
1.00
自引率
0.00%
发文量
43
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