图像美学评分的细粒度回归

Xin Jin, Qiang Deng, Hao Lou, Xiqiao Li, Chaoen Xiao
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引用次数: 0

摘要

图像美学评价有许多任务,如美学分类、评分、分数分布预测和标题。由于审美分数的分布是不平衡的,评价模型输出的分数总是接近平均分。本文提出了一种细粒度的美学评分回归方法,并结合位置注意机制和通道注意机制来增强美学特征融合。通过将回归网络与分类网络分开训练,使分类任务成为回归任务的补充。此外,研究人员习惯于使用均方误差(Mean Square Error, MSE)作为主要评价指标,这不足以衡量每个区间的误差。为了充分考虑各个审美评分段的图像,而不是因为审美数据集的不平衡而关注中间的审美评分段,我们提出了一种新的评价指标,称为分割均方误差(SMSE)来证明模型的优势。我们根据美学分数将整个AADB数据集划分为10等份,并在每个分割的AADB数据集上进行实验。这样,每个美学评分段的图像都得到了公平的考虑。实验结果表明,我们的方法在MSE和SMSE上都优于所有最先进的方法。位置和通道的双重注意模块也使激活图更加合理。我们的方法使美学评分从实验室走向现实生活。由于计算视觉美学在计算机视觉领域是一个非常有趣和具有挑战性的任务,而计算机视觉也是本期刊重点关注的领域之一,因此本文提出的方法与该期刊所涵盖的领域密切相关。
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Fine-grained regression for image aesthetic scoring

There are many tasks on image aesthetic assessment, such as aesthetic classification, scoring, score distribution prediction, and captions. Due to the distribution of the aesthetic score is unbalanced, the assessment models always output scores near the mean score. In this paper, we propose a fine-grained regression method for aesthetics score regression and combine position and channel attention mechanisms to enhance the aesthetic feature fusion. And by training the regression network separately from the classification network, we make the classification task a complement to the regression task. Besides, the researchers are used to using Mean Square Error (MSE) as the main evaluation metric which is inadequate in measuring the error of each interval. In order to fully consider the images of the various aesthetic score segments, instead of focusing on the intermediate aesthetic score segments because of the imbalance of the aesthetic datasets, we propose a new evaluation metric called Segmented Mean Square Errors (SMSE) to prove the advantages of the model. We divide the entire AADB dataset into 10 equal parts based on the aesthetic scores and the experiments were carried out on each of the segmented AADB datasets. In this way, images for each aesthetic score segment are fairly considered. The experimental results reveal that our method outperforms all the state-of-the-art methods on both MSE and SMSE. The dual attention modules of position and channel also make the activation maps more reasonable. Our methods make the aesthetic scoring go beyond laboratories to real life applications. Because computational visual aesthetics is a very interesting and challenging task in the field of computer vision, and computer vision is also one of the key areas of focus of this journal, the method proposed in this paper is closely related to the field covered by the journal.

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