{"title":"布莱克纪念窗","authors":"Mark Crosby","doi":"10.47761/biq.107","DOIUrl":null,"url":null,"abstract":"In 2011 a stained-glass window commemorating Blake’s three-year residence on the Sussex coast was consecrated in the parish church of St. Mary’s, Felpham. A Norman building dating to c. 1100, St. Mary’s is a short walk from the thatched cottage that Blake and Catherine occupied between 1800 and 1803. The Blake memorial window was commissioned by St. Mary’s parish council in 2007 and was funded by the generous contributions of Felpham parishioners and Blake enthusiasts and by donations raised through local charitable events celebrating the 250th anniversary of Blake’s birth. The window was designed by the artist Meg Lawrence, whose work also includes painting with an egg-based tempera medium on wood panels, a medium similar to the one that Blake used, with animal glue and gum Arabic as the binding agents instead of egg, for some of his 1799 illustrations of the Bible.","PeriodicalId":39620,"journal":{"name":"Blake - An Illustrated Quarterly","volume":"16 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Blake Memorial Window\",\"authors\":\"Mark Crosby\",\"doi\":\"10.47761/biq.107\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In 2011 a stained-glass window commemorating Blake’s three-year residence on the Sussex coast was consecrated in the parish church of St. Mary’s, Felpham. A Norman building dating to c. 1100, St. Mary’s is a short walk from the thatched cottage that Blake and Catherine occupied between 1800 and 1803. The Blake memorial window was commissioned by St. Mary’s parish council in 2007 and was funded by the generous contributions of Felpham parishioners and Blake enthusiasts and by donations raised through local charitable events celebrating the 250th anniversary of Blake’s birth. The window was designed by the artist Meg Lawrence, whose work also includes painting with an egg-based tempera medium on wood panels, a medium similar to the one that Blake used, with animal glue and gum Arabic as the binding agents instead of egg, for some of his 1799 illustrations of the Bible.\",\"PeriodicalId\":39620,\"journal\":{\"name\":\"Blake - An Illustrated Quarterly\",\"volume\":\"16 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-12-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Blake - An Illustrated Quarterly\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.47761/biq.107\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Blake - An Illustrated Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.47761/biq.107","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
In 2011 a stained-glass window commemorating Blake’s three-year residence on the Sussex coast was consecrated in the parish church of St. Mary’s, Felpham. A Norman building dating to c. 1100, St. Mary’s is a short walk from the thatched cottage that Blake and Catherine occupied between 1800 and 1803. The Blake memorial window was commissioned by St. Mary’s parish council in 2007 and was funded by the generous contributions of Felpham parishioners and Blake enthusiasts and by donations raised through local charitable events celebrating the 250th anniversary of Blake’s birth. The window was designed by the artist Meg Lawrence, whose work also includes painting with an egg-based tempera medium on wood panels, a medium similar to the one that Blake used, with animal glue and gum Arabic as the binding agents instead of egg, for some of his 1799 illustrations of the Bible.
期刊介绍:
Blake/An Illustrated Quarterly was born as the Blake Newsletter on a mimeograph machine at the University of California, Berkeley in 1967. Edited by Morton D. Paley, the first issue ran to nine pages, was available for a yearly subscription rate of two dollars for four issues, and included the fateful words, "As far as editorial policy is concerned, I think the Newsletter should be just that—not an incipient journal." The production office of the Newsletter relocated to the University of New Mexico when Morris Eaves became co-editor in 1970, and then moved with him in 1986 to its present home at the University of Rochester.