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引用次数: 3
摘要
本期的论文追溯了20世纪初毛利人对人类学、艺术、博物馆和遗产的一系列特殊干预,并考虑了它们对今天的伊维族“部落社区”、发展和环境管理的影响。他们跟随Apirana Ngata, Te Rangihiroa (Peter Buck)以及他们在波利尼西亚协会的一些毛利人和Pakeha(欧洲新西兰人)盟友,通过Dominion博物馆的探险,在Poari Whakapapa(毛利人民族学研究委员会)和各种社区研究活动中。作者探讨了与祖先tikanga“实践”以及西方技术和制度的接触如何让这些学者和领导人想象出新西兰的“新世界”。通过对幸存的照片、电影、文物、收藏和展览的分析,以及通过他们的努力产生的大量书面档案,本期的文章探讨了包括whakapapa的“亲属网络”和tuku的“宝藏交换(taonga)”在内的相关概念和实践是如何被动员为实践本体论的,也就是说,作为带来新事物(文物、系统、概念)的方法。这些合作项目对博物馆、学术、政府管理和部落文化遗产的持久影响进行了调查,显示了这项工作在当前的持久相关性。
Introduction: transforming worlds: kinship as practical ontology
The papers in this issue trace a particular set of Maori interventions in anthropology, arts, museums and heritage in the early twentieth century and consider their implications for iwi 'tribal communities', development and environmental management today. They follow Apirana Ngata, Te Rangihiroa (Peter Buck) and some of their Maori and Pakeha (European New Zealander) allies at the Polynesian Society through the Dominion Museum expeditions, on Te Poari Whakapapa (the Board of Maori Ethnological Research) and in a variety of community research initiatives. The authors explore how engagement with ancestral tikanga 'practices' and with western technologies and institutions allowed these scholars and leaders to imagine te ao hou 'a new world' in Aotearoa New Zealand. Through the analysis of surviving photographs, films, artefacts, collections and displays, as well as the extensive written archives that were produced through their efforts, the articles in this issue explore how relational concepts and practices including whakapapa 'kin networks' and tuku 'exchange of treasures (taonga)' were mobilised as practical ontologies, that is, as methods for bringing new things (artefacts, systems, concepts) into being. The lasting effects of these collaborative projects on museums, scholarship, government administration and tribal cultural heritage are investigated, showing the enduring relevance of this work in the present.