绿色之爱:迷失在漫威的《花园》中

J. Kuzner
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摘要

这一章把马维尔的《花园》看作是一种精神上的练习,一种关于生活和热爱现在的练习。考虑到《花园》与斯多葛派和伊壁鸠鲁派的观点,这一章认为,这首诗的前四节关注的是对现在的界定,第五节到第七节则是在一种绿色的爱的体验中扩大它,在花园的当下时刻,一种解放的束缚。特别是,第五节到第七节融合了同时性的顺序,以一种不同于斯多葛派和伊壁鸠鲁派的方式创造了一种诗意的永恒。两人都试图通过建立一个一致的、连贯的、不可分割的自我意识来更好地生活在现在,而马维尔则为一个惊人的不一致的自我创造了一个界限分明的、快乐的现在:一个非常被动但又非常主动的人,一个感官上的体现但又几乎没有体现的人,深深地退缩到自己身上,却又深深地嵌入到他所爱的花园中。这种对立的立场应该而且确实在日常生活中接连不断地出现。然而这首诗的作者断言,它们是同时发生的,他热爱现在,就像他生活在现在一样:被压倒,被压倒,也仅仅是与他所爱的生活在一起。
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Green Love: Lost in Marvell's “The Garden”
This chapter reads Marvell’s “The Garden” as a spiritual exercise, one concerned with dwelling in and loving the present. Considering “The Garden” alongside Stoic and Epicurean arguments, the chapter argues that the poem’s first four stanzas concern themselves with delimiting the present, and stanzas five through seven with dilating it in an experience of green love, of a liberating bondage in the garden’s present moment. In particular, stanzas five through seven fuse sequence with simultaneity, creating a poetic eternity in a way unlike both Stoics and Epicureans. Both seek to better live in the present by establishing a consistent and coherent, undivided sense of self, while Marvell creates a well-bounded, joyous present for an astoundingly inconsistent self: one uncommonly passive and yet uncommonly active, sensually embodied and yet hardly embodied at all, deeply withdrawn into himself and yet deeply embedded in the garden that he loves. Such opposed positions ought to, and do, occur successively in everyday life. Yet the poem’s speaker asserts that they occur at once, loving in the present as he lives in it: by being overwhelmed by, by overwhelming, and also by simply dwelling with, what he loves.
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