{"title":"“更多的培训电影”:在Covid-19大流行期间观看虚构的疫情叙述","authors":"A. Edgar, Aaron M. Dechant, Catherine Eakin","doi":"10.1080/1041794X.2022.2036228","DOIUrl":null,"url":null,"abstract":"ABSTRACT Using interviews with twenty-eight people who watched fictional outbreak narratives early in the Covid-19 pandemic, we argue that the genre helped viewers process the abstract uncertainty of the time through concrete sound and imagery. Viewers used critical distance to separate the real life horrors of the moment and the mediated “horrors” of the films. In doing so, audiences simultaneously pulled the films close to build their own pandemic grammar and held the films at a distance to reassure themselves about their own – and society’s – odds for survival. This approach to media selection and consumption has implications for media studies during times of collective trauma, as it demonstrates the ways narratives about suffering inform social response in sometimes unexpected ways.","PeriodicalId":46274,"journal":{"name":"Southern Communication Journal","volume":null,"pages":null},"PeriodicalIF":0.6000,"publicationDate":"2022-02-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“More of a Training Film”: Watching Fictional Outbreak Narratives during the Covid-19 Pandemic\",\"authors\":\"A. Edgar, Aaron M. Dechant, Catherine Eakin\",\"doi\":\"10.1080/1041794X.2022.2036228\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Using interviews with twenty-eight people who watched fictional outbreak narratives early in the Covid-19 pandemic, we argue that the genre helped viewers process the abstract uncertainty of the time through concrete sound and imagery. Viewers used critical distance to separate the real life horrors of the moment and the mediated “horrors” of the films. In doing so, audiences simultaneously pulled the films close to build their own pandemic grammar and held the films at a distance to reassure themselves about their own – and society’s – odds for survival. This approach to media selection and consumption has implications for media studies during times of collective trauma, as it demonstrates the ways narratives about suffering inform social response in sometimes unexpected ways.\",\"PeriodicalId\":46274,\"journal\":{\"name\":\"Southern Communication Journal\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2022-02-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Southern Communication Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/1041794X.2022.2036228\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Southern Communication Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/1041794X.2022.2036228","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"COMMUNICATION","Score":null,"Total":0}
“More of a Training Film”: Watching Fictional Outbreak Narratives during the Covid-19 Pandemic
ABSTRACT Using interviews with twenty-eight people who watched fictional outbreak narratives early in the Covid-19 pandemic, we argue that the genre helped viewers process the abstract uncertainty of the time through concrete sound and imagery. Viewers used critical distance to separate the real life horrors of the moment and the mediated “horrors” of the films. In doing so, audiences simultaneously pulled the films close to build their own pandemic grammar and held the films at a distance to reassure themselves about their own – and society’s – odds for survival. This approach to media selection and consumption has implications for media studies during times of collective trauma, as it demonstrates the ways narratives about suffering inform social response in sometimes unexpected ways.