{"title":"领域:宇宙(Translexical不透明)","authors":"Bing Hao Wong","doi":"10.31411/tcj.01.04","DOIUrl":null,"url":null,"abstract":"artist Alfonso Ossorio’s famed mural at the Chapel of St. Joseph the Worker in Victorias City on Negros Island, the Philippines. Presented at the NTU Centre Contemporary Art (NTU CCA), Singapore, Lien and Camacho’s nascent project comprised a lecture, delivered in December 2018, and a mural-installation that served as a visual re-tracing, a rough replica, of a key section of Ossorio’s mural and also as a canvas on which they annotated notes from their lecture.","PeriodicalId":91689,"journal":{"name":"GrandFamilies : the contemporary journal of research, practice and policy","volume":"34 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Territory: Universe (Translexical Opacity)\",\"authors\":\"Bing Hao Wong\",\"doi\":\"10.31411/tcj.01.04\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"artist Alfonso Ossorio’s famed mural at the Chapel of St. Joseph the Worker in Victorias City on Negros Island, the Philippines. Presented at the NTU Centre Contemporary Art (NTU CCA), Singapore, Lien and Camacho’s nascent project comprised a lecture, delivered in December 2018, and a mural-installation that served as a visual re-tracing, a rough replica, of a key section of Ossorio’s mural and also as a canvas on which they annotated notes from their lecture.\",\"PeriodicalId\":91689,\"journal\":{\"name\":\"GrandFamilies : the contemporary journal of research, practice and policy\",\"volume\":\"34 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-01-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"GrandFamilies : the contemporary journal of research, practice and policy\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31411/tcj.01.04\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"GrandFamilies : the contemporary journal of research, practice and policy","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31411/tcj.01.04","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
artist Alfonso Ossorio’s famed mural at the Chapel of St. Joseph the Worker in Victorias City on Negros Island, the Philippines. Presented at the NTU Centre Contemporary Art (NTU CCA), Singapore, Lien and Camacho’s nascent project comprised a lecture, delivered in December 2018, and a mural-installation that served as a visual re-tracing, a rough replica, of a key section of Ossorio’s mural and also as a canvas on which they annotated notes from their lecture.
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