DIII-D项目的最新进展

IF 0.3 1区 艺术学 0 MUSIC NINETEENTH CENTURY MUSIC Pub Date : 2002-11-07 DOI:10.1109/FUSION.2002.1027732
A. Kellman
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引用次数: 3

摘要

在一些关键的科学和工程领域取得了重大进展,这些领域对DIII-D托卡马克上的先进托卡马克操作至关重要。改进的误差场校正加上等离子体旋转导致被动壁稳定放电达到无壁极限的两倍。利用新安装的内部磁传感器和外部控制线圈,改进了电阻壁模式(RWM)的主动反馈稳定化。设计了一套用于RWM反馈的内部控制线圈,该线圈应允许在接近理想极限的情况下运行。采用一种新的“搜索抑制”控制算法,结合电子回旋电流驱动(ECCD),实现了新经典撕裂模式的实时稳定。ECCD系统通常为2秒脉冲提供超过2兆瓦的功率。模型预测ECCD的测量效率与未来完全无感AT目标放电一致。大量注入Ar气体成功地缓解了高性能放电的中断,而不会产生高能失控电子。最后,升级的数字等离子体控制系统将提供更大的能力,提供等离子体轮廓和不稳定性的实时测量和控制。
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Recent progress from the DIII-D program
Significant progress has been made in a number of key scientific and engineering areas that are critical to advanced tokamak operation on the DIII-D tokamak. Improved error field correction coupled with plasma rotation has resulted in a passive wall stabilized discharge at twice the no-wall beta limit. Active feedback stabilization of the resistive wall mode (RWM) has been improved using newly installed internal magnetic sensors and external control coils. A set of internal control coils for RWM feedback has been designed that should permit operation at close to the ideal limit. Real-time stabilization of the neoclassical tearing mode has been achieved using a new "search and suppress" control algorithm coupled with electron cyclotron current drive (ECCD). The ECCD system is routinely providing in excess of 2 MW of power for 2 s pulses. Modeling predicts that measured efficiencies of ECCD are consistent with future, fully non-inductive AT target discharges. Massive injection of Ar gas has resulted in successful mitigation of disruptions in high performance discharges without producing high energy runaway electrons. Finally, an upgraded digital plasma control system will provide significantly more capability to provide real time measurement and control of plasma profiles and instabilities.
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
11
期刊介绍: 19th-Century Music covers all aspects of Western art music between the mid-eighteenth and mid-twentieth centuries. We welcome--in no particular order--considerations of composers and compositions, styles, performance, historical watersheds, cultural formations, critical methods, musical institutions, ideas, and topics not named on this list. Our aim is to publish contributions to ongoing conversations at the leading edge of musical and multidisciplinary scholarship.
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