获奖理由:a·f·洛塞夫在GAKHN的文学专区对陀思妥耶夫斯基的著作进行了重新整理

G. Rimondi
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The author cites numerous evidences of Losev's special attention to the work of Dostoevsky, including the fact that the Russian philosopher took part in discussions with reports on topics devoted to the work of the Russian writer. The author draws attention to the fact that the main point of Losev's analysis of Dostoevsky's work was the symbolism of the writer. Dostoevsky's work attracted Losev throughout his life. This is evidenced not only by youthful memories of his passion for the work of the great novelist, but also references to the Russian writer, which are observed in his works of different periods. The author notes that Losev turned to the study of the problem of the symbol in the works of Dostoevsky already in the 1920s, but the philosopher managed to publish these studies only much later. According to Losev, symbolic images permeate the entire work of the Russian writer. Losev's prose of the 1930-1940s also did not remain devoid of ideological contaminations in the spirit of Dostoevsky: suffice it to mention here such works of the Russian philosopher as Perepiska v komnate (Correspondence in the Room), Vstrecha (The Meeting), the novel Zhenshchina-myslitel' (The Woman-thinker). The same religious pathos of Losev's philosophical discourse is also present in his prose, for example, in the themes of man's estrangement from ideal life and rejection of the religious sphere. 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引用次数: 0

摘要

这篇文章涉及到一个有趣的历史和哲学事实,这个事实在陀思妥耶夫斯基的研究领域仍然很少被调查:对俄罗斯著名哲学家阿列克谢·费多罗维奇·洛谢夫在国家艺术科学院(GAKhN)工作时所做的关于陀思妥耶夫斯基的工作的分析。这篇文章还根据档案证据,提供了关于20世纪20年代Losev在GAKhN工作的额外信息。特别关注的是1927年至1929年在GAKhN文学部分的俄罗斯哲学家的活动(在古代文学研究小组,在陀思妥耶夫斯基工作研究委员会)。作者引用了许多证据,证明洛塞夫特别关注陀思妥耶夫斯基的作品,包括这位俄罗斯哲学家参加了专门讨论这位俄罗斯作家作品的专题报告的事实。作者提请注意,洛采夫分析陀思妥耶夫斯基作品的重点是作家的象征主义。陀思妥耶夫斯基的作品终其一生都吸引着洛谢夫。这一点不仅体现在他年轻时对这位伟大小说家作品的热爱,还体现在他不同时期的作品中对这位俄罗斯作家的引用。作者指出,Losev早在20世纪20年代就开始研究陀思妥耶夫斯基作品中的符号问题,但陀思妥耶夫斯基直到很久以后才发表了这些研究成果。根据Losev的说法,象征性形象渗透了这位俄罗斯作家的整个作品。洛舍夫在20世纪30年代至40年代的散文也并非没有陀思妥耶夫斯基精神的意识形态污染:在这里只要提到这位俄罗斯哲学家的作品,如《房间里的通信》、《会面》和小说《女思想家》就足够了。Losev哲学话语中同样的宗教悲情也出现在他的散文中,例如,在人类与理想生活的隔阂和对宗教领域的拒绝等主题中。基于档案资料的综合分析,主要是RGALI档案中存储的GAKhN会议纪要,以及它们的比较,作者尽可能地呈现了俄罗斯哲学家的活动和兴趣的画面,这有助于更好地代表他的科学兴趣范围,并大大扩展了对这一时期Losev生活的进一步研究的可能性,也为GAKhN的历史提供了新的材料。
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For a reconstruction of A.F. Losev's work on Dostoevsky at GAKHN's literary section
The article deals with one interesting historical and philosophical fact that is still poorly investigated in the field Dostoevsky's studies: the analysis of the work on Fyodor Dostoevsky conducted by the famous Russian philosopher Aleksei Fedorovich Losev while working at the State Academy of Artistic Sciences (GAKhN). The article also provides additional information about Losev's work at GAKhN in the 1920s, based on archival evidence. Particular attention is paid to the activities of the Russian philosopher at GAKhN's Literary Section in 1927-1929 (in the group for the study of ancient literature, in the Commission for the Study of Dostoevsky's work). The author cites numerous evidences of Losev's special attention to the work of Dostoevsky, including the fact that the Russian philosopher took part in discussions with reports on topics devoted to the work of the Russian writer. The author draws attention to the fact that the main point of Losev's analysis of Dostoevsky's work was the symbolism of the writer. Dostoevsky's work attracted Losev throughout his life. This is evidenced not only by youthful memories of his passion for the work of the great novelist, but also references to the Russian writer, which are observed in his works of different periods. The author notes that Losev turned to the study of the problem of the symbol in the works of Dostoevsky already in the 1920s, but the philosopher managed to publish these studies only much later. According to Losev, symbolic images permeate the entire work of the Russian writer. Losev's prose of the 1930-1940s also did not remain devoid of ideological contaminations in the spirit of Dostoevsky: suffice it to mention here such works of the Russian philosopher as Perepiska v komnate (Correspondence in the Room), Vstrecha (The Meeting), the novel Zhenshchina-myslitel' (The Woman-thinker). The same religious pathos of Losev's philosophical discourse is also present in his prose, for example, in the themes of man's estrangement from ideal life and rejection of the religious sphere. Based on a comprehensive analysis of archival sources, primarily the minutes of GAKhN meetings stored in the RGALI archive, and their comparison, the author presents, as far as possible, a picture of the activities and interests of the Russian philosopher, which helps to better represent the range of his scientific interests and significantly expands the possibilities for further research on this period of Losev's life, and also provides new materials for the history of GAKhN.
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