{"title":"两个68年代的故事:法国和意大利的“无聊政治”","authors":"Michael E. Gardiner","doi":"10.1215/17432197-7725437","DOIUrl":null,"url":null,"abstract":"Abstract:In The Imagination of the New Left: A Global Analysis of 1968, Katsiaficas suggests the first genuine revolution against \"boredom\"—a rejection of social conformity, stultifying work, and facile consumerism—occurred in Paris during May '68. Yet, this event was only the most spectacular manifestation of a global conflagration. One salient example is the \"May '68 in slow motion\" occurring in Italy over the period 1968–78. Both the French and Italian events spawned their own politico-theoretical legacies that reverberate to this day, especially with regard to the \"politics of boredom\"—the former represented here by Debord's situationism, and the latter by Negri's autonomism. Situationism is rooted in Hegelian Marxism and the concept of alienation, and sees boredom as a mode of subjective disaffection stemming from the capitalistic repression of \"authentic\" human qualities. By contrast, Negri eschews such tropes of alienation and dialectics, focuses more on \"post-Fordist\" conditions of production/consumption, and, taking his cue from the \"ontological materialism\" of nineteenth-century Italian poet and essayist Leopardi, views boredom in more complex and multifaceted terms. Accordingly, the present article concentrates on the different conditions that spawned the respective legacies of '68 in France versus Italy as it relates to the politics of boredom.","PeriodicalId":35197,"journal":{"name":"Cultural Politics","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Tale of Two '68s: The \\\"Politics of Boredom\\\" in France and Italy\",\"authors\":\"Michael E. Gardiner\",\"doi\":\"10.1215/17432197-7725437\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:In The Imagination of the New Left: A Global Analysis of 1968, Katsiaficas suggests the first genuine revolution against \\\"boredom\\\"—a rejection of social conformity, stultifying work, and facile consumerism—occurred in Paris during May '68. Yet, this event was only the most spectacular manifestation of a global conflagration. One salient example is the \\\"May '68 in slow motion\\\" occurring in Italy over the period 1968–78. Both the French and Italian events spawned their own politico-theoretical legacies that reverberate to this day, especially with regard to the \\\"politics of boredom\\\"—the former represented here by Debord's situationism, and the latter by Negri's autonomism. Situationism is rooted in Hegelian Marxism and the concept of alienation, and sees boredom as a mode of subjective disaffection stemming from the capitalistic repression of \\\"authentic\\\" human qualities. By contrast, Negri eschews such tropes of alienation and dialectics, focuses more on \\\"post-Fordist\\\" conditions of production/consumption, and, taking his cue from the \\\"ontological materialism\\\" of nineteenth-century Italian poet and essayist Leopardi, views boredom in more complex and multifaceted terms. Accordingly, the present article concentrates on the different conditions that spawned the respective legacies of '68 in France versus Italy as it relates to the politics of boredom.\",\"PeriodicalId\":35197,\"journal\":{\"name\":\"Cultural Politics\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cultural Politics\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/17432197-7725437\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Social Sciences\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cultural Politics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/17432197-7725437","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Social Sciences","Score":null,"Total":0}
A Tale of Two '68s: The "Politics of Boredom" in France and Italy
Abstract:In The Imagination of the New Left: A Global Analysis of 1968, Katsiaficas suggests the first genuine revolution against "boredom"—a rejection of social conformity, stultifying work, and facile consumerism—occurred in Paris during May '68. Yet, this event was only the most spectacular manifestation of a global conflagration. One salient example is the "May '68 in slow motion" occurring in Italy over the period 1968–78. Both the French and Italian events spawned their own politico-theoretical legacies that reverberate to this day, especially with regard to the "politics of boredom"—the former represented here by Debord's situationism, and the latter by Negri's autonomism. Situationism is rooted in Hegelian Marxism and the concept of alienation, and sees boredom as a mode of subjective disaffection stemming from the capitalistic repression of "authentic" human qualities. By contrast, Negri eschews such tropes of alienation and dialectics, focuses more on "post-Fordist" conditions of production/consumption, and, taking his cue from the "ontological materialism" of nineteenth-century Italian poet and essayist Leopardi, views boredom in more complex and multifaceted terms. Accordingly, the present article concentrates on the different conditions that spawned the respective legacies of '68 in France versus Italy as it relates to the politics of boredom.
期刊介绍:
Cultural Politics is an international, refereed journal that explores the global character and effects of contemporary culture and politics. Cultural Politics explores precisely what is cultural about politics and what is political about culture. Publishing across the arts, humanities, and social sciences, the journal welcomes articles from different political positions, cultural approaches, and geographical locations. Cultural Politics publishes work that analyzes how cultural identities, agencies and actors, political issues and conflicts, and global media are linked, characterized, examined, and resolved. In so doing, the journal supports the innovative study of established, embryonic, marginalized, or unexplored regions of cultural politics. Cultural Politics, while embodying the interdisciplinary coverage and discursive critical spirit of contemporary cultural studies, emphasizes how cultural theories and practices intersect with and elucidate analyses of political power. The journal invites articles on representation and visual culture; modernism and postmodernism; media, film, and communications; popular and elite art forms; the politics of production and consumption; language; ethics and religion; desire and psychoanalysis; art and aesthetics; the culture industry; technologies; academics and the academy; cities, architecture, and the spatial; global capitalism; Marxism; value and ideology; the military, weaponry, and war; power, authority, and institutions; global governance and democracy; political parties and social movements; human rights; community and cosmopolitanism; transnational activism and change; the global public sphere; the body; identity and performance; heterosexual, transsexual, lesbian, and gay sexualities; race, blackness, whiteness, and ethnicity; the social inequalities of the global and the local; patriarchy, feminism, and gender studies; postcolonialism; and political activism.