{"title":"《奥赛罗》与《玩罐子完成大觉醒》的比较研究——以女性角色心理状态为中心","authors":"Eunkyung Shin","doi":"10.21720/complit88.06","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":45160,"journal":{"name":"COMPARATIVE LITERATURE","volume":"13 1","pages":""},"PeriodicalIF":0.5000,"publicationDate":"2022-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Comparative Study on “The Othello\\\" and \\\"The Story of Jangja Who Accomplished Great Awakening by Playing the Jar”: Focusing on the Mental State of Women Characters\",\"authors\":\"Eunkyung Shin\",\"doi\":\"10.21720/complit88.06\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":45160,\"journal\":{\"name\":\"COMPARATIVE LITERATURE\",\"volume\":\"13 1\",\"pages\":\"\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2022-10-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"COMPARATIVE LITERATURE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.21720/complit88.06\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"COMPARATIVE LITERATURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21720/complit88.06","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
A Comparative Study on “The Othello" and "The Story of Jangja Who Accomplished Great Awakening by Playing the Jar”: Focusing on the Mental State of Women Characters
期刊介绍:
The oldest journal in its field in the United States, Comparative Literature explores issues in literary history and theory. Drawing on a variety of theoretical and critical approaches, the journal represents a wide-ranging look at the intersections of national literatures, global literary trends, and theoretical discourse. Continually evolving since its inception in 1949, the journal remains a source for cutting-edge scholarship and prides itself on presenting the work of talented young scholars breaking new ground in the field.