{"title":"她依然坚持:奥维德《变形记》中的物质性与记忆性","authors":"Barbara W. Boyd","doi":"10.4000/dictynna.2123","DOIUrl":null,"url":null,"abstract":"This paper examines how a complex of ideas involving memory and materiality can offer a new way to view metamorphosis in Ovid’s Metamorphoses. Through the embodiment of power in transformed things, Ovid uses several of the episodes in the poem to push back against mutability and loss of speech, and to assert a different kind of permanence. Much of Ovid’s discourse about memory and materiality is linked through the trope of aetiology, i.e., the explanation of how something that exists now came into existence at a specific point in the past. Aetiology is by its nature a form of mnemonic device: it both highlights the enormous gulf separating past and present, and ensures temporal and cultural continuity. The aetiological narrative thus establishes its subject as a sign of permanence in an otherwise constantly changing landscape.","PeriodicalId":30340,"journal":{"name":"Dictynna","volume":"138 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2020-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Still, She Persisted: Materiality and Memory in Ovid’s Metamorphoses1\",\"authors\":\"Barbara W. Boyd\",\"doi\":\"10.4000/dictynna.2123\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper examines how a complex of ideas involving memory and materiality can offer a new way to view metamorphosis in Ovid’s Metamorphoses. Through the embodiment of power in transformed things, Ovid uses several of the episodes in the poem to push back against mutability and loss of speech, and to assert a different kind of permanence. Much of Ovid’s discourse about memory and materiality is linked through the trope of aetiology, i.e., the explanation of how something that exists now came into existence at a specific point in the past. Aetiology is by its nature a form of mnemonic device: it both highlights the enormous gulf separating past and present, and ensures temporal and cultural continuity. The aetiological narrative thus establishes its subject as a sign of permanence in an otherwise constantly changing landscape.\",\"PeriodicalId\":30340,\"journal\":{\"name\":\"Dictynna\",\"volume\":\"138 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-12-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Dictynna\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4000/dictynna.2123\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Dictynna","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4000/dictynna.2123","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Still, She Persisted: Materiality and Memory in Ovid’s Metamorphoses1
This paper examines how a complex of ideas involving memory and materiality can offer a new way to view metamorphosis in Ovid’s Metamorphoses. Through the embodiment of power in transformed things, Ovid uses several of the episodes in the poem to push back against mutability and loss of speech, and to assert a different kind of permanence. Much of Ovid’s discourse about memory and materiality is linked through the trope of aetiology, i.e., the explanation of how something that exists now came into existence at a specific point in the past. Aetiology is by its nature a form of mnemonic device: it both highlights the enormous gulf separating past and present, and ensures temporal and cultural continuity. The aetiological narrative thus establishes its subject as a sign of permanence in an otherwise constantly changing landscape.