{"title":"重新审视GAs的四部分协调问题:关键审查和改进建议","authors":"F. F. Vega","doi":"10.1109/CEC.2017.7969451","DOIUrl":null,"url":null,"abstract":"The four-part harmonization problem is a well known problem that has been studied in the last three centuries by music scholars. The goal is to build up three different voices, melodies, based on a previously provided one, being it a soprano melody or a bass instead, so that a complete soprano, alto, tenor and bass (SATB) score is completed.","PeriodicalId":6344,"journal":{"name":"2009 IEEE Congress on Evolutionary Computation","volume":"1 1","pages":"1271-1278"},"PeriodicalIF":0.0000,"publicationDate":"2017-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"7","resultStr":"{\"title\":\"Revisiting the 4-part harmonization problem with GAs: A critical review and proposals for improving\",\"authors\":\"F. F. Vega\",\"doi\":\"10.1109/CEC.2017.7969451\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The four-part harmonization problem is a well known problem that has been studied in the last three centuries by music scholars. The goal is to build up three different voices, melodies, based on a previously provided one, being it a soprano melody or a bass instead, so that a complete soprano, alto, tenor and bass (SATB) score is completed.\",\"PeriodicalId\":6344,\"journal\":{\"name\":\"2009 IEEE Congress on Evolutionary Computation\",\"volume\":\"1 1\",\"pages\":\"1271-1278\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2017-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"7\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"2009 IEEE Congress on Evolutionary Computation\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1109/CEC.2017.7969451\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"2009 IEEE Congress on Evolutionary Computation","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1109/CEC.2017.7969451","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Revisiting the 4-part harmonization problem with GAs: A critical review and proposals for improving
The four-part harmonization problem is a well known problem that has been studied in the last three centuries by music scholars. The goal is to build up three different voices, melodies, based on a previously provided one, being it a soprano melody or a bass instead, so that a complete soprano, alto, tenor and bass (SATB) score is completed.