历史教科书中的视觉效果

Mischa Gabowitsch
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引用次数: 0

摘要

这篇文章是基于超过2600本历史教科书的书目数据集,这些教科书来自1945年后的苏联及其15个继承国中的11个国家,包括有关国际、国家和地区或地方历史的书籍。其中,分析了450本二战时期书籍的插图。本文反对将与历史相关的视觉内容简化为“叙事”,试图对历史教科书的视觉语法进行分析。它通过借鉴法国实用主义社会学中发展起来的熟悉概念来做到这一点,并确定了用于使学生以熟悉而不是批判性分析的模式接近战争纪念馆的视觉技术。位于前苏联以外的纪念碑的非情境化展示将它们变成了永恒的象征,通过熟悉即识别来体验;与周围景观或地图一起显示的纪念碑使它们成为人们熟知的苏维埃化的地方身份标志。
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Visuals in History Textbooks
This article is based on a bibliographical data set of over 2,600 history textbooks from the post-1945 Soviet Union and eleven out of its fifteen successor states, including books on international, national, and regional or local history. Among these, it analyzes the illustrations used in 450 books that cover the period of the Second World War. Arguing against a reduction of history-related visuals to a “narrative,” this article seeks to contribute to analyzing the visual grammar of history textbooks. It does so by drawing on notions of familiarity developed in French pragmatic sociology and identifies visual techniques used to make pupils approach war memorials in a mode of familiarity rather than critical analysis. Decontextualized presentations of monuments located outside the former Soviet Union turn them into timeless icons experienced via familiarity-as-recognition; monuments shown with surrounding landscapes or on maps turn them into intimately known markers of a Sovietized local identity.
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来源期刊
CiteScore
0.70
自引率
0.00%
发文量
7
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