马琳达·梅诺·洛厄的来访者角

Q2 Arts and Humanities Modern American History Pub Date : 2022-03-01 DOI:10.1017/mah.2021.27
M. Lowery
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引用次数: 0

摘要

马琳达·梅诺·洛厄是一位电影制片人、学者,也是北卡罗来纳州蓝比部落的成员。她在各种媒体上工作,用她的话说,“让那些可能会丢失的东西变得有意义”。她在视觉和书面叙事之间流畅地移动,将这种意义带给了不同的观众。作为一名电影制片人,她曾凭借《厨师的生活》获得詹姆斯·比尔德奖和皮博迪奖,并因纪录片《私人暴力》获得艾美奖提名。作为一名历史学家,她的著作《南方种族歧视的蓝比印第安人:种族、身份和国家的形成》(北卡罗来纳大学出版社,2010年)和《蓝比印第安人:美国人的斗争》(北卡罗来纳大学出版社,2018年)赢得了无数奖项。2021年9月,阿德里安娜·伦茨-史密斯(Adriane Lentz-Smith)与洛维利(Lowery)坐下来,就工艺、社区、命名一个人的地方意味着什么,以及声称自己的人民意味着什么进行了对话。
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The VISITOR'S CORNER with Malinda Maynor Lowery
Malinda Maynor Lowery is a film producer, scholar, and member of the Lumbee Tribe of North Carolina. She works across a range of media to, in her words, “make meaning of what might otherwise get lost.” Moving fluidly between visual and written storytelling, she brings this meaning to multiple audiences. As a film producer, she has garnered both a James Beard and a Peabody Award for the show, A Chef’s Life, and an Emmy nomination for the documentary Private Violence. As an historian, she has won numerous prizes for her books, Lumbee Indians in the Jim Crow South: Race, Identity, and the Making of the Nation (University of North Carolina Press, 2010) and The Lumbee Indians: An American Struggle (University of North Carolina Press, 2018). In September 2021, Adriane Lentz-Smith sat down with Lowery for a conversation about craft, community, what it means to name one’s place, and what it means to claim one’s people.
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来源期刊
Modern American History
Modern American History Arts and Humanities-History
CiteScore
0.60
自引率
0.00%
发文量
19
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