《人性、性与社会主义人格》(1978)

IF 0.2 Q3 Social Sciences Feminist German Studies Pub Date : 2022-09-01 DOI:10.1353/fgs.2022.0014
Juliane Schicker
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引用次数: 0

摘要

摘要:本文考察了DEFA电影《Sieben sommersprosen》(1978;七个雀斑)展示了与性别平等、关系和性亲密有关的社会规范,以及对德意志民主共和国青少年的期望,以及这些规范如何反映社会主义人格的概念。它提供了对情节的仔细阅读,并与相关出版物和档案材料并列,以展示这部青少年电影如何在讨论传统性别角色的持久性的同时,诚实地与亲密的关注搏斗,以促进另一套社会主义价值观,这种价值观与社会主义本身并不矛盾,而是与政治领导层所倡导的某些价值观相一致。因此,这部电影以一种类似于20世纪80年代改革派努力的方式批评现状,正如他们所做的那样,在社会期望和旨在改善或寻找替代民主德国实际存在的社会主义的社会变革之间占据了一个间隙位置,即所谓的Dritter Weg。
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Gender, Sex, and the Socialist Personality in Herrmann Zschoche's Sieben Sommersprossen (1978)
Abstract:This article examines the ways in which the DEFA film Sieben Sommersprossen (1978; Seven freckles) presents social norms pertaining to gender equality, relationships, and sexual intimacy as expected of teenagers in the GDR, and how these norms reflect on the concept of the socialist personality. It provides close readings of the plot juxtaposed with relevant publications and archival material to demonstrate how this young-adult film engages in discussions about the persistence of traditional gender roles while wrestling with intimate concerns honestly to promote an alternative set of socialist values that were not at odds with socialism per se but with certain values foregrounded by the political leadership. As such, the film criticizes the status quo in a way that resembles the reformist efforts of the 1980s, occupying as they did an interstitial position between social expectations and social change aimed at improving, or finding an alternative to, actually existing socialism in the GDR, the so-called Dritter Weg.
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来源期刊
Feminist German Studies
Feminist German Studies WOMENS STUDIES-
CiteScore
0.30
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