{"title":"涟漪:走向不驯服的家庭生活","authors":"Jing Cheng","doi":"10.1080/13602365.2022.2129730","DOIUrl":null,"url":null,"abstract":"The paper proposes ‘rippling' as a practice of untamed domesticity that contests the hegemony of the essentialised model of modern nuclear family and its associated domesticity. The conceptualisation of ‘rippling' derives from a context of the dissolved household in contemporary rural China — they are families of China's 285 million floating population who have seen the absence of a middle generation. At the intersection of architecture and anthropology, and with Shigushan village in Wuhan as the primary site of fieldwork since 2015, the point of entry is spatial and ethnographic observations and documentations of everyday practice in and around ordinary self-built family houses. The material traces and empirical evidence manifest a constantly diffused distinction between the domestic and the public, enacted by the rural dissolved household. In this way, the practice of ‘rippling' defies the confinement and codification of domesticity. Importantly, ‘rippling' and ‘dissolving' are a temporary, transient state that has become part of a broader structure rather than an exception. Through inhabiting and altering a multiplicity of spatial, social, and political thresholds, an elastic form of association is enacted, through which the act of mediating between genders, generations, households, neighbours, and the village community is constantly framed, and even spreads to the city through ‘floating’. Spatially stretched from house to territory and temporally coordinated from daily to multi-year cycles, domesticity as such is untamed.","PeriodicalId":44236,"journal":{"name":"METU Journal of the Faculty of Architecture","volume":"207 1","pages":"949 - 978"},"PeriodicalIF":0.3000,"publicationDate":"2022-11-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Rippling: towards untamed domesticity\",\"authors\":\"Jing Cheng\",\"doi\":\"10.1080/13602365.2022.2129730\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The paper proposes ‘rippling' as a practice of untamed domesticity that contests the hegemony of the essentialised model of modern nuclear family and its associated domesticity. The conceptualisation of ‘rippling' derives from a context of the dissolved household in contemporary rural China — they are families of China's 285 million floating population who have seen the absence of a middle generation. At the intersection of architecture and anthropology, and with Shigushan village in Wuhan as the primary site of fieldwork since 2015, the point of entry is spatial and ethnographic observations and documentations of everyday practice in and around ordinary self-built family houses. The material traces and empirical evidence manifest a constantly diffused distinction between the domestic and the public, enacted by the rural dissolved household. In this way, the practice of ‘rippling' defies the confinement and codification of domesticity. Importantly, ‘rippling' and ‘dissolving' are a temporary, transient state that has become part of a broader structure rather than an exception. Through inhabiting and altering a multiplicity of spatial, social, and political thresholds, an elastic form of association is enacted, through which the act of mediating between genders, generations, households, neighbours, and the village community is constantly framed, and even spreads to the city through ‘floating’. Spatially stretched from house to territory and temporally coordinated from daily to multi-year cycles, domesticity as such is untamed.\",\"PeriodicalId\":44236,\"journal\":{\"name\":\"METU Journal of the Faculty of Architecture\",\"volume\":\"207 1\",\"pages\":\"949 - 978\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-11-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"METU Journal of the Faculty of Architecture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/13602365.2022.2129730\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ARCHITECTURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"METU Journal of the Faculty of Architecture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/13602365.2022.2129730","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}
The paper proposes ‘rippling' as a practice of untamed domesticity that contests the hegemony of the essentialised model of modern nuclear family and its associated domesticity. The conceptualisation of ‘rippling' derives from a context of the dissolved household in contemporary rural China — they are families of China's 285 million floating population who have seen the absence of a middle generation. At the intersection of architecture and anthropology, and with Shigushan village in Wuhan as the primary site of fieldwork since 2015, the point of entry is spatial and ethnographic observations and documentations of everyday practice in and around ordinary self-built family houses. The material traces and empirical evidence manifest a constantly diffused distinction between the domestic and the public, enacted by the rural dissolved household. In this way, the practice of ‘rippling' defies the confinement and codification of domesticity. Importantly, ‘rippling' and ‘dissolving' are a temporary, transient state that has become part of a broader structure rather than an exception. Through inhabiting and altering a multiplicity of spatial, social, and political thresholds, an elastic form of association is enacted, through which the act of mediating between genders, generations, households, neighbours, and the village community is constantly framed, and even spreads to the city through ‘floating’. Spatially stretched from house to territory and temporally coordinated from daily to multi-year cycles, domesticity as such is untamed.
期刊介绍:
METU JOURNAL OF THE FACULTY OF ARCHITECTURE is a biannual refereed publication of the Middle East Technical University published every June and December, and offers a comprehensive range of articles contributing to the development of knowledge in man-environment relations, design and planning. METU JFA accepts submissions in English or Turkish, and assumes that the manuscripts received by the Journal have not been published previously or that are not under consideration for publication elsewhere. The Editorial Board claims no responsibility for the opinions expressed in the published manuscripts. METU JFA invites theory, research and history papers on the following fields and related interdisciplinary topics: architecture and urbanism, planning and design, restoration and preservation, buildings and building systems technologies and design, product design and technologies. Prospective manuscripts for publication in these fields may constitute; 1. Original theoretical papers; 2. Original research papers; 3. Documents and critical expositions; 4. Applied studies related to professional practice; 5. Educational works, commentaries and reviews; 6. Book reviews Manuscripts, in English or Turkish, have to be approved by the Editorial Board, which are then forwarded to Referees before acceptance for publication. The Board claims no responsibility for the opinions expressed in the published manuscripts. It is assumed that the manuscripts received by the Journal are not sent to other journals for publication purposes and have not been previously published elsewhere.