{"title":"探索动物:曼荼罗上色过程中正念状态外围物化的脑机接口","authors":"Claudia Daudén Roquet, C. Sas, Dominic Potts","doi":"10.1080/07370024.2021.1968864","DOIUrl":null,"url":null,"abstract":"I could feel my mind buzzing after another long day at work. Driving home, I am looking forward to my “me time” ritual of playing with colors. As I arrive, I get myself comfortable, pick up an orange crayon, and start coloring a mandala with beautiful lace-like details. For that, I have to fully concentrate, and my attention is focused on the unfolding present experience of slowly and mindfully filling in the mandala with color. Once I filled in all the little spaces from the central layer, I pick up a green crayon and color the next layer. When I make mistakes is usually because I am not paying attention. I now tend to accept and work my way around them. Before I know it, my mandala is complete, and my buzzing mind has calmed down. I can even pinpoint some subtle feelings unreachable when I started, wondering also how I could do better next time. By looking at the colored mandala, I can see from my mistakes when I was less mindful and lost focus. I also know that there were other moments of lost focus, albeit I cannot see them in my mandala. Maybe because these happened while coloring larger areas, and then mistakes are easier to avoid even without concentration. This scenario inspired by our study findings illustrates the richness of mandala coloring as an illustration of a focused attention mindfulness (FAM) practice. It shows the importance of intention, attention, and non-judgmental acceptance, with an invitation to explore how the materialization of mindfulness states onto colors may provide value to this practice. While acknowledging the complexity of mindfulness constructs (Hart et al., 2013), for the purpose of our work we adopt the working definition of mindfulness as “the awareness that emerges through paying attention on purpose, in the present moment, and non-judgmentally to the unfolding of experience moment by moment” [pp. 145] (Kabat-Zinn, 2009). Nevertheless, consistent findings in the literature indicate that the skills required to sustain and regulate attention are challenging to develop (Kerr et al., 2013; Sas & Chopra, 2015). Mindfulness practices have been broadly categorized under focused attention – involving sustained attention on an intended object, and open monitoring – with broader attentional focus, hence no explicit object of attention (Lutz et al., 2008). While FAM targets the focus and maintenance of attention by narrowing it to a selected stimulus despite competing others and, when attention is lost, disengaging from these distracting stimuli to redirect it back to the selected one, rather than narrowing it, open monitoring involves broadening the focus of attention through a receptive and non-judgmental stance toward moment-to-moment internal salient stimuli such as difficult thoughts and emotions (Britton, 2018). FAM is typically the starting point for novice meditators, with the main object of attention being either internal (e.g., focus on the breathing in sitting meditation (Prpa et al., 2018; Vidyarthi et al., 2012), or on bodily movements during walking meditation (S. S. 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For that, I have to fully concentrate, and my attention is focused on the unfolding present experience of slowly and mindfully filling in the mandala with color. Once I filled in all the little spaces from the central layer, I pick up a green crayon and color the next layer. When I make mistakes is usually because I am not paying attention. I now tend to accept and work my way around them. Before I know it, my mandala is complete, and my buzzing mind has calmed down. I can even pinpoint some subtle feelings unreachable when I started, wondering also how I could do better next time. By looking at the colored mandala, I can see from my mistakes when I was less mindful and lost focus. I also know that there were other moments of lost focus, albeit I cannot see them in my mandala. Maybe because these happened while coloring larger areas, and then mistakes are easier to avoid even without concentration. This scenario inspired by our study findings illustrates the richness of mandala coloring as an illustration of a focused attention mindfulness (FAM) practice. It shows the importance of intention, attention, and non-judgmental acceptance, with an invitation to explore how the materialization of mindfulness states onto colors may provide value to this practice. While acknowledging the complexity of mindfulness constructs (Hart et al., 2013), for the purpose of our work we adopt the working definition of mindfulness as “the awareness that emerges through paying attention on purpose, in the present moment, and non-judgmentally to the unfolding of experience moment by moment” [pp. 145] (Kabat-Zinn, 2009). Nevertheless, consistent findings in the literature indicate that the skills required to sustain and regulate attention are challenging to develop (Kerr et al., 2013; Sas & Chopra, 2015). 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引用次数: 11
摘要
又工作了漫长的一天,我能感觉到我的脑子嗡嗡作响。开车回家时,我期待着玩颜色的“个人时间”仪式。当我到达时,我让自己舒服起来,拿起一支橙色的蜡笔,开始用美丽的蕾丝细节给曼荼罗上色。为此,我必须全神贯注,我的注意力集中在正在展开的当下体验上,慢慢地、正念地用颜色填充曼荼罗。一旦我填满了中心图层的所有小空间,我拿起绿色蜡笔给下一层上色。当我犯错误时,通常是因为我没有注意。我现在倾向于接受它们,并以自己的方式解决它们。在我意识到之前,我的曼荼罗已经完成了,我嗡嗡作响的头脑已经平静下来。我甚至可以精确地指出一些微妙的感觉,当我开始时无法触及,也想知道我下次如何做得更好。通过观察彩色的曼陀罗,我可以从我的错误中看到,当我不太注意和失去注意力时。我也知道还有其他时刻失去了焦点,尽管我无法从我的曼陀罗中看到它们。也许是因为这些都是在较大的区域着色时发生的,这样即使不集中注意力也更容易避免错误。这个由我们的研究结果启发的场景说明了曼荼罗色彩的丰富性,作为集中注意力正念(FAM)练习的例证。它显示了意图,注意力和非判断性接受的重要性,并邀请探索正念状态在颜色上的物化如何为这种实践提供价值。虽然承认正念结构的复杂性(Hart et al., 2013),但为了我们的工作目的,我们采用了正念的工作定义为“通过有意识地、在当下时刻、不加判断地对体验的每时每一刻的展开进行关注而产生的意识”(Kabat-Zinn, 2009)。然而,文献中的一致发现表明,维持和调节注意力所需的技能很难培养(Kerr et al., 2013;Sas & Chopra, 2015)。正念练习被广泛地分为集中注意力——包括对预期对象的持续关注和开放监控——具有更广泛的注意力焦点,因此没有明确的注意对象(Lutz et al., 2008)。FAM的目标是通过将注意力缩小到一个选定的刺激上来集中和维持注意力,尽管有其他的竞争,当注意力失去时,从这些分散注意力的刺激中脱离出来,将注意力重新定向到选定的刺激上,而不是缩小它,开放式监测涉及通过对即时的内部显著刺激(如困难的想法和情绪)的接受和非判断立场来扩大注意力的焦点(Britton, 2018)。FAM通常是新手冥想的起点,主要注意对象要么是内部的(例如,专注于静坐冥想中的呼吸)(Prpa等人,2018;Vidyarthi et al., 2012),或行走冥想时的身体运动(s.s. Chen et al., 2015)或太极
Exploring Anima: a brain–computer interface for peripheral materialization of mindfulness states during mandala coloring
I could feel my mind buzzing after another long day at work. Driving home, I am looking forward to my “me time” ritual of playing with colors. As I arrive, I get myself comfortable, pick up an orange crayon, and start coloring a mandala with beautiful lace-like details. For that, I have to fully concentrate, and my attention is focused on the unfolding present experience of slowly and mindfully filling in the mandala with color. Once I filled in all the little spaces from the central layer, I pick up a green crayon and color the next layer. When I make mistakes is usually because I am not paying attention. I now tend to accept and work my way around them. Before I know it, my mandala is complete, and my buzzing mind has calmed down. I can even pinpoint some subtle feelings unreachable when I started, wondering also how I could do better next time. By looking at the colored mandala, I can see from my mistakes when I was less mindful and lost focus. I also know that there were other moments of lost focus, albeit I cannot see them in my mandala. Maybe because these happened while coloring larger areas, and then mistakes are easier to avoid even without concentration. This scenario inspired by our study findings illustrates the richness of mandala coloring as an illustration of a focused attention mindfulness (FAM) practice. It shows the importance of intention, attention, and non-judgmental acceptance, with an invitation to explore how the materialization of mindfulness states onto colors may provide value to this practice. While acknowledging the complexity of mindfulness constructs (Hart et al., 2013), for the purpose of our work we adopt the working definition of mindfulness as “the awareness that emerges through paying attention on purpose, in the present moment, and non-judgmentally to the unfolding of experience moment by moment” [pp. 145] (Kabat-Zinn, 2009). Nevertheless, consistent findings in the literature indicate that the skills required to sustain and regulate attention are challenging to develop (Kerr et al., 2013; Sas & Chopra, 2015). Mindfulness practices have been broadly categorized under focused attention – involving sustained attention on an intended object, and open monitoring – with broader attentional focus, hence no explicit object of attention (Lutz et al., 2008). While FAM targets the focus and maintenance of attention by narrowing it to a selected stimulus despite competing others and, when attention is lost, disengaging from these distracting stimuli to redirect it back to the selected one, rather than narrowing it, open monitoring involves broadening the focus of attention through a receptive and non-judgmental stance toward moment-to-moment internal salient stimuli such as difficult thoughts and emotions (Britton, 2018). FAM is typically the starting point for novice meditators, with the main object of attention being either internal (e.g., focus on the breathing in sitting meditation (Prpa et al., 2018; Vidyarthi et al., 2012), or on bodily movements during walking meditation (S. S. Chen et al., 2015) or Tai-Chi
期刊介绍:
Human-Computer Interaction (HCI) is a multidisciplinary journal defining and reporting
on fundamental research in human-computer interaction. The goal of HCI is to be a journal
of the highest quality that combines the best research and design work to extend our
understanding of human-computer interaction. The target audience is the research
community with an interest in both the scientific implications and practical relevance of
how interactive computer systems should be designed and how they are actually used. HCI is
concerned with the theoretical, empirical, and methodological issues of interaction science
and system design as it affects the user.