{"title":"威廉·布莱克,乔治·罗姆尼和乔治·罗姆尼的一生,先生。","authors":"Morton D. Paley","doi":"10.47761/biq.82","DOIUrl":null,"url":null,"abstract":"William and Catherine Blake returned to London in September 1803, after spending three years in the seaside village of Felpham in Sussex. During the two years that followed, one of William’s most important and time-consuming occupations was assisting William Hayley with the illustrations to be engraved for Hayley’s Life of George Romney. Blake had commissions for two of these and hoped for more. These activities were no mere task for Blake, who praised the gifts of “our admired Sublime Romney” and thought, unfairly, that Romney’s talent had been diverted from history to portrait painting by Hayley, asserting in a frank letter to his brother James that Hayley “thinks to turn me into a Portrait Painter as he did Poor Romney” (30 January 1803, E 725). In the extraordinary letter that Blake wrote to Hayley about his renewal of vision “on the day after visiting the Truchsessian Gallery of pictures,” he stated: “I can, with confidence, promise you ocular demonstration of my altered state on the plates I am now engraving after Romney, whose spiritual aid has not a little conduced to my restoration to the light of Art.”","PeriodicalId":39620,"journal":{"name":"Blake - An Illustrated Quarterly","volume":"66 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-09-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"William Blake, George Romney, and The Life of George Romney, Esq.\",\"authors\":\"Morton D. Paley\",\"doi\":\"10.47761/biq.82\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"William and Catherine Blake returned to London in September 1803, after spending three years in the seaside village of Felpham in Sussex. During the two years that followed, one of William’s most important and time-consuming occupations was assisting William Hayley with the illustrations to be engraved for Hayley’s Life of George Romney. Blake had commissions for two of these and hoped for more. These activities were no mere task for Blake, who praised the gifts of “our admired Sublime Romney” and thought, unfairly, that Romney’s talent had been diverted from history to portrait painting by Hayley, asserting in a frank letter to his brother James that Hayley “thinks to turn me into a Portrait Painter as he did Poor Romney” (30 January 1803, E 725). In the extraordinary letter that Blake wrote to Hayley about his renewal of vision “on the day after visiting the Truchsessian Gallery of pictures,” he stated: “I can, with confidence, promise you ocular demonstration of my altered state on the plates I am now engraving after Romney, whose spiritual aid has not a little conduced to my restoration to the light of Art.”\",\"PeriodicalId\":39620,\"journal\":{\"name\":\"Blake - An Illustrated Quarterly\",\"volume\":\"66 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-09-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Blake - An Illustrated Quarterly\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.47761/biq.82\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Blake - An Illustrated Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.47761/biq.82","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
William Blake, George Romney, and The Life of George Romney, Esq.
William and Catherine Blake returned to London in September 1803, after spending three years in the seaside village of Felpham in Sussex. During the two years that followed, one of William’s most important and time-consuming occupations was assisting William Hayley with the illustrations to be engraved for Hayley’s Life of George Romney. Blake had commissions for two of these and hoped for more. These activities were no mere task for Blake, who praised the gifts of “our admired Sublime Romney” and thought, unfairly, that Romney’s talent had been diverted from history to portrait painting by Hayley, asserting in a frank letter to his brother James that Hayley “thinks to turn me into a Portrait Painter as he did Poor Romney” (30 January 1803, E 725). In the extraordinary letter that Blake wrote to Hayley about his renewal of vision “on the day after visiting the Truchsessian Gallery of pictures,” he stated: “I can, with confidence, promise you ocular demonstration of my altered state on the plates I am now engraving after Romney, whose spiritual aid has not a little conduced to my restoration to the light of Art.”
期刊介绍:
Blake/An Illustrated Quarterly was born as the Blake Newsletter on a mimeograph machine at the University of California, Berkeley in 1967. Edited by Morton D. Paley, the first issue ran to nine pages, was available for a yearly subscription rate of two dollars for four issues, and included the fateful words, "As far as editorial policy is concerned, I think the Newsletter should be just that—not an incipient journal." The production office of the Newsletter relocated to the University of New Mexico when Morris Eaves became co-editor in 1970, and then moved with him in 1986 to its present home at the University of Rochester.