瓷砖的故事:博物馆伊斯兰文物的变迁叙事

Hala Auji
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摘要

本文考察了属于考古博物馆的少量伊斯兰文物收藏的制度历史,该博物馆成立于1868年,位于黎巴嫩贝鲁特美国大学(AUB)。这项研究的重点是一组五组奥斯曼时期的釉面瓷砖护岸,博物馆声称这些护岸来自耶路撒冷的圆顶清真寺。这些瓷砖目前作为博物馆2015年开放的“伊斯兰区”的中心展品展出。这些瓷砖至少从20世纪50年代起就一直是博物馆藏品的一部分,对它们的新关注很大程度上是由于博物馆不断变化的机构叙述,即它过去的生活是与AUB当时的传教项目叙利亚新教学院(Syrian Protestant College, 1866年成立)有关的圣经收藏品。本文展示了一个小型的黎巴嫩博物馆,如AUB博物馆,如何不断地重塑其关于伊斯兰文物收藏的叙述和方法,以及自19世纪后期以来当地和地区社会政治问题的转变。
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Tales of Tiles: Shifting Narratives of a Museum’s Islamic Artifacts
This article examines the institutional history of a modest collection of Islamic artifacts belonging to the Archaeological Museum, which was established in 1868 at the American University of Beirut, Lebanon (AUB). The study focuses on a set of five glazed Ottoman-period tile revetments, which the Museum claims came from the Dome of the Rock in Jerusalem. These tiles are currently displayed as centerpieces in the Museum’s “Islamic Section” opened in 2015. The newfound attention to these tiles, which have been a part of the Museum’s collection since at least the 1950s, is largely informed by the Museum’s changing institutional narratives about its past life as a biblical collection connected to AUB’s then-missionary program as the Syrian Protestant College (est. 1866). This article demonstrates how a small Lebanese museum, like the one at AUB, has continuously reshaped its narratives about and approaches to its collection of Islamic artifacts vis‑a‑vis its history as well as shifting local and regional socio-political concerns since the late 19th century.
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