{"title":"后记","authors":"Jared Pappas-Kelley","doi":"10.7228/manchester/9781526129246.003.0006","DOIUrl":null,"url":null,"abstract":"“These things hardly existed at all,” remarked Robert Irwin of his untitled columns, begun in 1969.1 In Blink and You’ll Miss It, Irwin described how his transparent cast-acrylic sculptures inhabit a gallery space austerely, how they appear to “sit on a delicate edge” between absence and presence....","PeriodicalId":21883,"journal":{"name":"Solvent Form","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2019-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Epilogue\",\"authors\":\"Jared Pappas-Kelley\",\"doi\":\"10.7228/manchester/9781526129246.003.0006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"“These things hardly existed at all,” remarked Robert Irwin of his untitled columns, begun in 1969.1 In Blink and You’ll Miss It, Irwin described how his transparent cast-acrylic sculptures inhabit a gallery space austerely, how they appear to “sit on a delicate edge” between absence and presence....\",\"PeriodicalId\":21883,\"journal\":{\"name\":\"Solvent Form\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-02-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Solvent Form\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7228/manchester/9781526129246.003.0006\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Solvent Form","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7228/manchester/9781526129246.003.0006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
“这些东西几乎根本不存在，”罗伯特·欧文(Robert Irwin)在1969年开始的未命名专栏中评论道。在《一眨眼》(Blink)和《你会错过它》(You’ll Miss It)中，欧文描述了他的透明铸造丙烯酸雕塑如何严肃地栖息在画廊空间中，它们如何似乎“坐在缺席与存在之间的微妙边缘”....
“These things hardly existed at all,” remarked Robert Irwin of his untitled columns, begun in 1969.1 In Blink and You’ll Miss It, Irwin described how his transparent cast-acrylic sculptures inhabit a gallery space austerely, how they appear to “sit on a delicate edge” between absence and presence....
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