{"title":"浪漫-客观主义:发展科学的图解诗学","authors":"Mick Whittle","doi":"10.1080/14702029.2021.1951584","DOIUrl":null,"url":null,"abstract":"ABSTRACT This essay discusses how diagrammatic modes of representation are a distinct subset of images that coevolved with the scientific project to visually embody key ideals from the philosophy of science. In making diagrammatic art, artists have found various means to appropriate, exaggerate and subvert this set of characteristics unique to the diagram as part of their processes of creation and production. This is in an approach that I refer to as Romantic Objectivism. As a practicing artist with a background in biomedicine, my drawing and sculptural praxes are presented as an ongoing project to develop a visual poetics of science beyond its purely factual and functional modes, in the spirit of the Romantic-period German scientist, philosopher and poet Novalis, and his recently rediscovered, unfinished project, the Romantic Encyclopedia.","PeriodicalId":35077,"journal":{"name":"Journal of Visual Art Practice","volume":"32 1","pages":"283 - 298"},"PeriodicalIF":0.0000,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Romantic-objectivism: developing a diagrammatic poetics of science\",\"authors\":\"Mick Whittle\",\"doi\":\"10.1080/14702029.2021.1951584\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This essay discusses how diagrammatic modes of representation are a distinct subset of images that coevolved with the scientific project to visually embody key ideals from the philosophy of science. In making diagrammatic art, artists have found various means to appropriate, exaggerate and subvert this set of characteristics unique to the diagram as part of their processes of creation and production. This is in an approach that I refer to as Romantic Objectivism. As a practicing artist with a background in biomedicine, my drawing and sculptural praxes are presented as an ongoing project to develop a visual poetics of science beyond its purely factual and functional modes, in the spirit of the Romantic-period German scientist, philosopher and poet Novalis, and his recently rediscovered, unfinished project, the Romantic Encyclopedia.\",\"PeriodicalId\":35077,\"journal\":{\"name\":\"Journal of Visual Art Practice\",\"volume\":\"32 1\",\"pages\":\"283 - 298\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-07-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Visual Art Practice\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14702029.2021.1951584\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Visual Art Practice","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14702029.2021.1951584","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
Romantic-objectivism: developing a diagrammatic poetics of science
ABSTRACT This essay discusses how diagrammatic modes of representation are a distinct subset of images that coevolved with the scientific project to visually embody key ideals from the philosophy of science. In making diagrammatic art, artists have found various means to appropriate, exaggerate and subvert this set of characteristics unique to the diagram as part of their processes of creation and production. This is in an approach that I refer to as Romantic Objectivism. As a practicing artist with a background in biomedicine, my drawing and sculptural praxes are presented as an ongoing project to develop a visual poetics of science beyond its purely factual and functional modes, in the spirit of the Romantic-period German scientist, philosopher and poet Novalis, and his recently rediscovered, unfinished project, the Romantic Encyclopedia.
期刊介绍：
The Journal of Visual Art Practice (JVAP) is a forum of debate and inquiry for research in art. JVAP is concerned with visual art practice including the social, economic, political and cultural frames within which the formal concerns of art and visual art practice are located. The journal is concerned with research engaged in these disciplines, and with the contested ideas of knowledge formed through that research. JVAP welcomes submissions that explore new theories of research and practice and work on the practical and educational impact of visual arts research. JVAP recognises the diversity of research in art and visual arts, and as such, we encourage contributions from scholarly and pure research, as well as developmental, applied and pedagogical research. In addition to established scholars, we welcome and are supportive of submissions from new contributors including doctoral researchers. We seek contributions engaged with, but not limited to, these themes: -Art, visual art and research into practitioners'' methods and methodologies -Art , visual art, big data, technology, and social change -Art, visual art, and urban planning -Art, visual art, ethics and the public sphere -Art, visual art, representations and translation -Art, visual art, and philosophy -Art, visual art, methods, histories and beliefs -Art, visual art, neuroscience and the social brain -Art, visual art, and economics -Art, visual art, politics and power -Art, visual art, vision and visuality -Art, visual art, and social practice -Art, visual art, and the methodology of arts based research
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