《不发达的文化史:美国想象中的拉丁美洲》作者:约翰·帕特里克·利里

Claudette Williams
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引用次数: 0

摘要

文化史在古典和纯粹意义上是一种“连续的系统叙事”。虽然它的结构只是通过一个粗略的年表来定义的,但作者使用了一种历史主义的方法,将文化产品作为一个镜头来看待过去的事件。按照爱德华·萨义德的开创性著作《东方主义》的传统,这本书揭示了不发达概念(隐含或明确)的意识形态根源、假设和含义,这些概念在起源于美国的各种文化话语中得到表达,可以追溯到19世纪中期。从广泛的原始来源和代表性媒体(报纸报道,绘画,摄影,电影,旅行叙事,诗歌,小说)中绘制插图和证据,Leary仔细研究了文化从业者将拉丁美洲描绘为与美国比较的对象/主体的多样化,互补和经常竞争的方式。古巴和墨西哥是这一分析的主要参考点,其他拉丁美洲领土(尼加拉瓜、波多黎各、委内瑞拉和巴西)的例子在适当的地方被引用,它们有助于进一步加强或扩展本书的论点。从个性到政治,从地理到文化习惯,拉丁美洲人的生活和经历被认为是不发达的。这种分析主要是由作者对他所说的美学框架的“道德”内容的探索所驱动的,因为他一次又一次地表明,文化表达远非透明,而是充满意识形态的棱镜,其调解功能往往是扭曲而不是澄清现实。因此,读者被诱导去意识到矛盾、模糊、错误的历史观念,以及隐藏在表面上中立或透明的渲染之下的意义。约翰·帕特里克·利里:《不发达的文化史:美国想象中的拉丁美洲》夏洛茨维尔:弗吉尼亚大学出版社,2016年,283页。
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A Cultural History of Underdevelopment: Latin America in the U.S. Imagination by John Patrick Leary (review)
cultural history in the classical and purist sense of a “continuous systematic narrative”. Although its architecture is defined by only a rough chronology, the author uses a historicist approach in treating cultural products as a lens through which past events have been viewed. Written in the tradition of Edward Said’s seminal work Orientalism, the book uncovers the ideological roots, assumptions and implications of the notion of underdevelopment (implied or explicit) as expressed in a variety of cultural discourses originating in the United States of America and dating back to the mid-nineteenth century. Drawing illustrations and evidence from a wide array of primary sources and representational media (newspaper reports, painting, photography, film, travel narratives, poetry, novels), Leary studiously examines the diverse, complementary and often competing ways in which cultural practitioners have portrayed Latin America as an object /subject of comparison with the USA. Cuba and Mexico are the main reference points for this analysis, with examples from other Latin American territories (Nicaragua, Puerto Rico, Venezuela, and Brazil) invoked at appropriate points where they serve to further strengthen or expand the book’s thesis. The areas of Latin American life and experience viewed as being characterized in terms of underdevelopment range from personality to politics, from geography to cultural habits. The analysis is driven primarily by the author’s search for what he refers to as the “moral” content of aesthetic framing, as he shows time and again that far from being transparent, cultural expressions are ideologically charged prisms whose mediating function is often to distort rather than clarify reality. Hence the reader is induced to become aware of the contradictions, ambiguities, false notions of history, and meanings that lie beneath the surface of apparently neutral or transparent renderJohn Patrick Leary, A Cultural History of Underdevelopment: Latin America in the U.S. Imagination. Charlottesville: University of Virginia Press, 2016, 283 pp.
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