媒体叙事中浪漫化的虐待行为——韩剧对亲密伴侣暴力浪漫主义的刻画

Priscila Asoka Kenasri, Lidwina Mutia Sadasri
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引用次数: 1

摘要

亲密关系经常被描绘成一种美好的理想主义,尤其是在大众媒体上。然而,有证据表明,在这种关系中,大量妇女遭受了伴侣的身体、情感和/或性暴力。媒体在塑造和反映社会生活方面发挥着重要作用,导致受众消费浪漫化的虐待行为。它的视听内容可以使这种观点永久化,即某些暴力是正常的——甚至是浪漫的。在20多年来深受印尼观众喜爱的韩剧中也可以看到这种观点,韩剧的人气没有任何下降的迹象。本研究旨在揭示韩剧《继承者》(2013)中亲密伴侣暴力作为浪漫的叙事。本文借鉴了Propp的《七个人物》和Greimas的现实叙事分析模型,采用了定性的方法。研究结果表明,《继承者》是如何通过将男性主角塑造成一个不接受拒绝而强行建立关系的主体,从而投射出掩盖虐待特征的浪漫意象的。此外,这项研究还发现,将女性主角描绘成一个表达她反对给予男性角色追逐刺激的对象,会放大虐待的浪漫化。本研究的发现与浪漫化媒体的概念是一致的,特别是在描绘亲密伴侣暴力的浪漫化方面。
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Romanticized Abusive Behavior by Media Narrative Analysis on Portrayal of Intimate Partner Violence Romanticism in Korean Drama
Intimate relationships are often depicted in terms of a  beautiful idealism, especially in the mass media. However, the evidence shows a vast number of women while in such a relationship have been subjected to physical, emotional, and/or sexual violence by their partner. Media plays an important part in shaping and reflecting social life, resulting in audience consumption of romanticized abusive behaviour. Its audiovisual content can perpetuate the point of view that some violence is normal  – even romantic. Such a point of view can be found in Korean dramas, which have been popular with its Indonesian audience for some  20 years and do not show any signs of a decline in popularity. This study aims to reveal a  narration of intimate partner violence portrayal as romance in the Korean drama The Heirs (2013). A qualitative method is used drawing on Propp's Seven Characters and Greimas' Actantial narrative analysis model. The research results show how The Heirs project romantic imagery masking abusive traits by establishing the male main character as a subject who forces a relationship without accepting rejection. Moreover, this study found the romanticization of abuse was amplified by depicting the female protagonist as an object expressing her objection to giving male characters the thrill of the chase. The findings in this research is consistent with the concept of romanticized media, particularly in portraying the romanticization of intimate partner violence.
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