埃文基驯鹿骑鞍:在针叶林中移动的某些原则

A. Sirina
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引用次数: 0

摘要

根据20世纪至21世纪初的博物馆藏品、实地记录、摄影和录像资料,对鄂温基东部典型的带襟翼的驯鹿鞍进行了分析。详细介绍了其结构和紧固类型。制造技术在现代物质文化理论的背景下进行了讨论,以适应移动生活方式下不断变化的自然和社会环境。针叶林可移动性的关键原则包括使用广泛的材料和技术,模块化(相互补充和可互换部件的组装结构),适应自然节奏的技术周期,坚持传统知识,使用人工材料和自然产品(自20世纪中期以来)等。在游牧文化中,人工制品的美学本质上与功能、和谐和社会意义有关。驯鹿骑鞍的制作受到游牧民族社会结构变化的影响。
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Evenki Reindeer Riding Saddle: Certain Principles of Mobility in the Taiga
On the basis of museum collections, field records, photographic and video recordings made in the 20th to early 21st centuries, a reindeer riding saddle with flaps, typical of the eastern Evenki, is analyzed. Its construction and types of fastening are described in detail. Manufacturing technologies are discussed in the context of modern theories of material culture as adaptations to changing natural and social environments under a mobile lifestyle. The key principles underlying mobility in the taiga include the use of a wide range of materials and techniques, modularity (assembled construction with mutually complementary and interchangeable parts), a technological cycle adapted to natural rhythms, adherence to traditional knowledge, the use of artificial materials along with products of nature (since the mid-1900s), etc. In the nomadic culture, the esthetics of an artifact are intrinsically related to function, harmony, and social significance. The manufacture of reindeer riding saddles has been affected by changes in the social structure of nomadic groups.
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来源期刊
CiteScore
0.90
自引率
25.00%
发文量
44
期刊介绍: This international journal analyzes and presents research relating to the archaeology, ethnology and anthropology of Eurasia and contiguous regions including the Pacific Rim and the Americas. The journal publishes papers and develops discussions on a wide range of research topics including: Quaternary geology; pleistocene and Holocene paleoecology ; methodology of archaeological, anthropological and ethnographical research, including field and laboratory study techniques; early human migrations; physical anthropology; paleopopulation genetics; prehistoric art; indigenous cultures and ethnocultural processes.
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