{"title":"calderon的velazquez吗?一个友好的假设在三个戏剧性的行动","authors":"Jaime García-Máiquez","doi":"10.13035/h.2022.10.02.46","DOIUrl":null,"url":null,"abstract":". The discovery of a portrait painted by Velázquez (Metropolitan Muse-um, New York) representing the same person who appears painted at the end right of the painting The Surrender of Breda ( La rendición de Breda . Museo del Prado, Madrid), makes us reflect on who is that person portrayed by Velázquez. In this article, the hypothesis is developed that this unknown person from the New York Museum and The surrender of Breda de Madrid, be Don Pedro Calderón de la Barca.","PeriodicalId":42908,"journal":{"name":"Hipogrifo-Revista de literatura y cultura del Siglo de Oro","volume":"73 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"¿Calderón por Velázquez? Una hipótesis amistosa en tres actos dramáticos\",\"authors\":\"Jaime García-Máiquez\",\"doi\":\"10.13035/h.2022.10.02.46\",\"DOIUrl\":null,\"url\":null,\"abstract\":\". The discovery of a portrait painted by Velázquez (Metropolitan Muse-um, New York) representing the same person who appears painted at the end right of the painting The Surrender of Breda ( La rendición de Breda . Museo del Prado, Madrid), makes us reflect on who is that person portrayed by Velázquez. In this article, the hypothesis is developed that this unknown person from the New York Museum and The surrender of Breda de Madrid, be Don Pedro Calderón de la Barca.\",\"PeriodicalId\":42908,\"journal\":{\"name\":\"Hipogrifo-Revista de literatura y cultura del Siglo de Oro\",\"volume\":\"73 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Hipogrifo-Revista de literatura y cultura del Siglo de Oro\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.13035/h.2022.10.02.46\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, ROMANCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Hipogrifo-Revista de literatura y cultura del Siglo de Oro","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.13035/h.2022.10.02.46","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, ROMANCE","Score":null,"Total":0}
引用次数: 0
摘要
。发现了Velázquez(纽约大都会博物馆)画的一幅肖像，画的是《布雷达的投降》(La rendición de Breda)右下角出现的同一个人。普拉多博物馆，马德里)，让我们思考Velázquez所描绘的那个人是谁。在这篇文章中，我们提出了一个假设，这个来自纽约博物馆和《马德里投降》的不知名的人，就是唐·佩德罗Calderón德拉巴萨。
¿Calderón por Velázquez? Una hipótesis amistosa en tres actos dramáticos
. The discovery of a portrait painted by Velázquez (Metropolitan Muse-um, New York) representing the same person who appears painted at the end right of the painting The Surrender of Breda ( La rendición de Breda . Museo del Prado, Madrid), makes us reflect on who is that person portrayed by Velázquez. In this article, the hypothesis is developed that this unknown person from the New York Museum and The surrender of Breda de Madrid, be Don Pedro Calderón de la Barca.
期刊介绍：
Hippogriff Journal of literature and culture of the Golden Age is a publication dedicated to the Golden Age in its broadest sense that includes collaborations (studies, notes, bibliography, reviews, news, etc.) of any subject and genre with an open and multidisciplinary approach. Art, Literature, History, Cultural Studies, Viceroyalty Literature ... have a place in its pages.
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