地图、志愿地理信息(VGI)和自然的空间话语建构

Juan Astaburuaga , Michael E. Martin , Agnieszka Leszczynski , JC Gaillard
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引用次数: 2

摘要

本文探讨了空间媒体,如地图和志愿地理信息(VGI)在构建和动员自然表征中所起的作用。利用后结构政治生态学、批判性地图学和地理信息科学,本文将地图和地理地理标志作为一种话语机制,巩固和传达与更广泛的商品化战略相关的自然的意义和表征。特别是,我们探讨了空间媒体如何复制和合法化话语策略,通过创造新的自然商品化方式,通过基于自然的旅游,使经济发展和保护的协调合理化。本文利用智利巴塔哥尼亚-艾萨姆的证据,研究了机构旅游地图和广告中编码的自然话语与VGI旅行者平台TripAdvisor之间的交集。这个例子首先表明,旅游地图和广告如何有助于将自然作为原始、宏伟、崇高和野生的话语构建正常化,这不仅确保了美学作为自然的本质论品质,而且还作为保护“自然”作为消费商品的嵌入价值。其次,我们的研究结果表明,TripAdvisor是在这种背景下出现的,它作为一种内容,调动了个人对巴塔哥尼亚自然的看法和叙述,而这种看法和叙述已经被这种主导话语所介导。这种动态表明,VGI构成了一种新的话语力量形式,它以数字方式再现和调动自然的主导话语,(重新)产生我们所说的“话语数字自然”。
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Maps, volunteered geographic information (VGI) and the spatio-discursive construction of nature

This paper interrogates the role that spatial media such as maps and Volunteered Geographic Information (VGI) play in the construction and mobilisation of representations of nature. Drawing on poststructural political ecology, critical cartography, and GIScience, this article engages maps and VGI as discursive mechanisms that solidify and convey meanings and representations of nature tied to broader strategies of commodification. Particularly, we explore how spatial media reproduces and legitimises discursive strategies that rationalise the reconciliation of economic development and conservation through nature-based tourism by producing new ways of nature commodification. Drawing on evidence from Patagonia-Aysén, Chile, this paper examines the intersections between the discourse of nature encoded within institutional tourist maps and advertisements, and within the VGI platform for travellers, TripAdvisor. This illustrative case shows, firstly, how tourist maps and advertisements have contributed to normalising a discursive construction of nature as pristine, grandiose, sublime and wild that has not only secured aesthetics as ontological qualities of nature, but also as embedded values that protect ‘nature’ as a commodity to consume. Secondly, our findings evidence that TripAdvisor emerges out of this context as content that mobilises individual perceptions of and narratives about Patagonian nature that is already mediated by this dominant discourse. This dynamic suggests that VGI constitutes a new form of discursive power that digitally reproduces and mobilises a dominant discourse of nature, (re)producing what we term ‘discursive digital nature’.

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