Q1 Arts and Humanities Studia Litteraria et Historica Pub Date : 2020-12-12 DOI:10.37415/STUDIA/2020/59/8574
Mária Hovánszki
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引用次数: 0

摘要

在这篇文章中,我通过两首诗来展示法泽卡和科奈之间的联系。法泽卡的《歌声中的感觉》是模仿克索科奈的《A ' remsamyhez》创作的,而《致青春期的小胡子》则是在克索科奈的《A ' Pillangóhoz》之后创作的。在法泽卡的这两首诗中,从形式特征到主题再到互文性,都可以看到克索科奈的影响。然而,这种影响不仅仅是形式的复制,而是法泽卡的诗意反讽和他与索科奈的论战心态的一种表达。这两首诗都是针对敏感诗歌的Lilla-affection和爱情崇拜,与之相反,作为诗意的戏谑,法泽卡斯一方面描绘了一个回报爱情的普通女性角色,另一方面又描绘了一个轻松的美德女性。由于verbunkos(一种起源于军队招募的匈牙利舞蹈)和感性的古典旋律,这两首诗在多个层面上呈现出微妙的讽刺。
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F. et Cs. avagy A’ Reményhez és A’ Pillangóhoz Fazekas-módra
In the article I demonstrate the connection between Fazekas and Csokonai through two poems. Fazekas’s Az érzékenységek énekben (The Senses in Song) was written in imitation of Csokonai’s A’ Reményhez, and A serdűlő bajuszhoz (To the Pubescent Moustache) was written similarly after Csokonai’s A’ Pillangóhoz, in these two poems by Fazekas Csokonai’s influence can be observed from formal characteristics through themes to intertextuality. However, this influence is not merely a copy of form, but it is an expression of Fazekas’s poetic irony and his polemic mentality with Csokonai. Both poems target the Lilla-affection and the love cult of sensitive poetry, as opposed to which, as poetic banter, Fazekas depicts on the one hand, an ordinary woman character who requites love, and on the other hand, a woman of easy virtue. The subtle irony is present on multiple levels in both poems due to the verbunkos (a Hungarian dance originated in military recruiting) and sensibility-classical melody.
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来源期刊
Studia Litteraria et Historica
Studia Litteraria et Historica Arts and Humanities-Literature and Literary Theory
CiteScore
0.50
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审稿时长
24 weeks
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