{"title":"沉默的缪斯:阿斯塔·尼尔森的回忆录","authors":"Pamela Hutchinson","doi":"10.1080/17460654.2023.2242631","DOIUrl":null,"url":null,"abstract":"up the evidence for the potential of a Brunel less constrained by the industry. A curator at the British Film Institute, Botting clearly understands the value of archival research to illuminate a subject such as this; the book is a showcase for the value of such materials to uncover and interrogate the past and engage new audiences, with the BFI’s Adrian Brunel Special Collection here to the fore. Highly recommended.","PeriodicalId":42697,"journal":{"name":"Early Popular Visual Culture","volume":"9 1","pages":"481 - 483"},"PeriodicalIF":0.1000,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The silent muse: the memoirs of Asta Nielsen\",\"authors\":\"Pamela Hutchinson\",\"doi\":\"10.1080/17460654.2023.2242631\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"up the evidence for the potential of a Brunel less constrained by the industry. A curator at the British Film Institute, Botting clearly understands the value of archival research to illuminate a subject such as this; the book is a showcase for the value of such materials to uncover and interrogate the past and engage new audiences, with the BFI’s Adrian Brunel Special Collection here to the fore. Highly recommended.\",\"PeriodicalId\":42697,\"journal\":{\"name\":\"Early Popular Visual Culture\",\"volume\":\"9 1\",\"pages\":\"481 - 483\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-08-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Early Popular Visual Culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17460654.2023.2242631\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Early Popular Visual Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17460654.2023.2242631","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
up the evidence for the potential of a Brunel less constrained by the industry. A curator at the British Film Institute, Botting clearly understands the value of archival research to illuminate a subject such as this; the book is a showcase for the value of such materials to uncover and interrogate the past and engage new audiences, with the BFI’s Adrian Brunel Special Collection here to the fore. Highly recommended.