{"title":"《陌生人的青少年:十一人》通过当代叙事弧线转变了青春期怪异的象征主义","authors":"Judith Clemens‐Smucker","doi":"10.1080/01956051.2022.2033157","DOIUrl":null,"url":null,"abstract":"Abstract At first glance, the Netflix series Stranger Things places itself within the category of monstrous feminine narratives by introducing preteen Eleven as the series’ human monster. The show pits her against literal monsters which, like adolescents, exist in a physically transformative and liminal space. However, while the series initially appears to reinforce the stereotype of young females as borderland monsters who defy categorization, the show ultimately undermines this same convention. Instead, it presents Eleven as a complete person who exhibits intelligence, individuality, and power in a manner more complex and modern than earlier filmic embodiments of monstrous adolescence and femininity. Eleven represents a new generation; while the monsters can still be viewed as illustrative of adolescence, Eleven rises above the characterizations of previous horror texts, successfully defying the containment often placed on girls. Viewers are shown that rather than letting society dictate their actions, girls can perform with agency and ability. Instead of serving only as objects of desire (or angst) for boys, girls can be the ones to save the day.","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"11 1","pages":"60 - 68"},"PeriodicalIF":0.5000,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Stranger Teens: Eleven Transforms the Monstrous Symbolism of Adolescence through a Contemporary Narrative Arc\",\"authors\":\"Judith Clemens‐Smucker\",\"doi\":\"10.1080/01956051.2022.2033157\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract At first glance, the Netflix series Stranger Things places itself within the category of monstrous feminine narratives by introducing preteen Eleven as the series’ human monster. The show pits her against literal monsters which, like adolescents, exist in a physically transformative and liminal space. However, while the series initially appears to reinforce the stereotype of young females as borderland monsters who defy categorization, the show ultimately undermines this same convention. Instead, it presents Eleven as a complete person who exhibits intelligence, individuality, and power in a manner more complex and modern than earlier filmic embodiments of monstrous adolescence and femininity. Eleven represents a new generation; while the monsters can still be viewed as illustrative of adolescence, Eleven rises above the characterizations of previous horror texts, successfully defying the containment often placed on girls. Viewers are shown that rather than letting society dictate their actions, girls can perform with agency and ability. Instead of serving only as objects of desire (or angst) for boys, girls can be the ones to save the day.\",\"PeriodicalId\":44169,\"journal\":{\"name\":\"JOURNAL OF POPULAR FILM AND TELEVISION\",\"volume\":\"11 1\",\"pages\":\"60 - 68\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2022-04-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JOURNAL OF POPULAR FILM AND TELEVISION\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/01956051.2022.2033157\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JOURNAL OF POPULAR FILM AND TELEVISION","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/01956051.2022.2033157","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Stranger Teens: Eleven Transforms the Monstrous Symbolism of Adolescence through a Contemporary Narrative Arc
Abstract At first glance, the Netflix series Stranger Things places itself within the category of monstrous feminine narratives by introducing preteen Eleven as the series’ human monster. The show pits her against literal monsters which, like adolescents, exist in a physically transformative and liminal space. However, while the series initially appears to reinforce the stereotype of young females as borderland monsters who defy categorization, the show ultimately undermines this same convention. Instead, it presents Eleven as a complete person who exhibits intelligence, individuality, and power in a manner more complex and modern than earlier filmic embodiments of monstrous adolescence and femininity. Eleven represents a new generation; while the monsters can still be viewed as illustrative of adolescence, Eleven rises above the characterizations of previous horror texts, successfully defying the containment often placed on girls. Viewers are shown that rather than letting society dictate their actions, girls can perform with agency and ability. Instead of serving only as objects of desire (or angst) for boys, girls can be the ones to save the day.
期刊介绍:
How did Casablanca affect the home front during World War II? What is the postfeminist significance of Buffy the Vampire Slayer? The Journal of Popular Film and Television answers such far-ranging questions by using the methods of popular culture studies to examine commercial film and television, historical and contemporary. Articles discuss networks, genres, series, and audiences, as well as celebrity stars, directors, and studios. Regular features include essays on the social and cultural background of films and television programs, filmographies, bibliographies, and commissioned book and video reviews.