《陌生人的青少年:十一人》通过当代叙事弧线转变了青春期怪异的象征主义

IF 0.5 3区 艺术学 0 FILM, RADIO, TELEVISION JOURNAL OF POPULAR FILM AND TELEVISION Pub Date : 2022-04-03 DOI:10.1080/01956051.2022.2033157
Judith Clemens‐Smucker
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引用次数: 1

摘要

乍一看,Netflix的电视剧《怪奇物语》把自己放在了可怕的女性叙事的范畴内,把十一岁前的孩子作为剧中的人类怪物。这个节目让她与字面上的怪物对抗,这些怪物就像青少年一样,存在于一个物理变化和有限的空间中。然而,虽然这部剧一开始似乎强化了年轻女性是不被归类的边缘怪物的刻板印象,但这部剧最终破坏了这种传统。相反,它呈现了一个完整的人,展现了智慧、个性和力量,比早期电影中对可怕的青春期和女性气质的体现更复杂、更现代。11代表新一代;虽然这些怪物仍然可以被看作是青春期的象征,但《十一》超越了以往恐怖小说的特征,成功地打破了通常对女孩的禁锢。观众们看到,女孩们可以凭借自己的能动性和能力表演,而不是让社会支配她们的行为。女孩可以成为拯救世界的人,而不仅仅是男孩渴望(或焦虑)的对象。
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Stranger Teens: Eleven Transforms the Monstrous Symbolism of Adolescence through a Contemporary Narrative Arc
Abstract At first glance, the Netflix series Stranger Things places itself within the category of monstrous feminine narratives by introducing preteen Eleven as the series’ human monster. The show pits her against literal monsters which, like adolescents, exist in a physically transformative and liminal space. However, while the series initially appears to reinforce the stereotype of young females as borderland monsters who defy categorization, the show ultimately undermines this same convention. Instead, it presents Eleven as a complete person who exhibits intelligence, individuality, and power in a manner more complex and modern than earlier filmic embodiments of monstrous adolescence and femininity. Eleven represents a new generation; while the monsters can still be viewed as illustrative of adolescence, Eleven rises above the characterizations of previous horror texts, successfully defying the containment often placed on girls. Viewers are shown that rather than letting society dictate their actions, girls can perform with agency and ability. Instead of serving only as objects of desire (or angst) for boys, girls can be the ones to save the day.
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来源期刊
JOURNAL OF POPULAR FILM AND TELEVISION
JOURNAL OF POPULAR FILM AND TELEVISION FILM, RADIO, TELEVISION-
CiteScore
0.60
自引率
0.00%
发文量
11
期刊介绍: How did Casablanca affect the home front during World War II? What is the postfeminist significance of Buffy the Vampire Slayer? The Journal of Popular Film and Television answers such far-ranging questions by using the methods of popular culture studies to examine commercial film and television, historical and contemporary. Articles discuss networks, genres, series, and audiences, as well as celebrity stars, directors, and studios. Regular features include essays on the social and cultural background of films and television programs, filmographies, bibliographies, and commissioned book and video reviews.
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The Empire of Effects: Industrial Light & Magic and the Rendering of Realism Watching Game of Thrones: How Audiences Engage with Dark Television “She’s Got Gaps, I’ve Got Gaps”: A Neurodiversity Reading of Rocky (1976) Transcultural Comedy in Man Like Mobeen (2017-2023): How the BBC is Merging “Us”/“Them.” ALINE MACMAHON: HOLLYWOOD, THE BLACKLIST, AND THE BIRTH OF METHOD ACTING. By John Stangeland. UP of Kentucky, 2022. 340 pp. $40.00 (hardcover).
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