{"title":"通过转喻的相似:福柯，马格里特和那根管子","authors":"Carl Haddrell","doi":"10.21533/epiphany.v14i2.378","DOIUrl":null,"url":null,"abstract":"This article explores our understanding of visual imagery through an analysis of Foucault’s examination of Magritte’s famous painting Les deux Mystères. Foucault details how the interplay between word and image are firstly perceived and then understood by the viewer. This analysis of Foucault’s text, serves to illuminate and hopefully clarify the often ambiguous relationship between image and text, whilst at the same time demonstrate that the vary same ambiguity is revelled in by those creating and those words and images.","PeriodicalId":30629,"journal":{"name":"Epiphany","volume":"23 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-02-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"SIMILITUDE THROUGH METONYMY: FOUCAULT, MAGRITTE AND THAT PIPE\",\"authors\":\"Carl Haddrell\",\"doi\":\"10.21533/epiphany.v14i2.378\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article explores our understanding of visual imagery through an analysis of Foucault’s examination of Magritte’s famous painting Les deux Mystères. Foucault details how the interplay between word and image are firstly perceived and then understood by the viewer. This analysis of Foucault’s text, serves to illuminate and hopefully clarify the often ambiguous relationship between image and text, whilst at the same time demonstrate that the vary same ambiguity is revelled in by those creating and those words and images.\",\"PeriodicalId\":30629,\"journal\":{\"name\":\"Epiphany\",\"volume\":\"23 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-02-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Epiphany\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.21533/epiphany.v14i2.378\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Epiphany","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21533/epiphany.v14i2.378","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
SIMILITUDE THROUGH METONYMY: FOUCAULT, MAGRITTE AND THAT PIPE
This article explores our understanding of visual imagery through an analysis of Foucault’s examination of Magritte’s famous painting Les deux Mystères. Foucault details how the interplay between word and image are firstly perceived and then understood by the viewer. This analysis of Foucault’s text, serves to illuminate and hopefully clarify the often ambiguous relationship between image and text, whilst at the same time demonstrate that the vary same ambiguity is revelled in by those creating and those words and images.
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