The “Pure” Romanian: (Re)writing Romanian National Identity in Dan Puric’s Romanian Soul

This paper investigates Romania’s auto-image as described by Dan Puric in his book Suflet Românesc (Romanian Soul). By employing imagology, this article first shows how Romanian national identity is constructed in opposition to Western culture and modernity. And by drawing on imagology and Hayden White’s approach to historiography, I provide a discursive analysis of the Romanian auto-image provided in the text. I show that Puric’s writing of Romanian national identity is a Romantic one rendered in the anarchist mode. The author alleges that Romanians are born with a “Romanian soul,” which guarantees their adherence to a Christian Orthodox worldview, one to which Western culture and modernity are inimical. The dominant metaphor used to represent Romanianness is the folktale, whose main traits—being set in illo tempore, a focus on a stark moral antithesis between good and evil where the former prevails, and favouring intuition over reason—are allegedly shared by “pure” Romanians. After revealing the pillars of Romanianness in Puric’s view, I trace the intellectual and cultural continuities between his Romanian auto-image and Romania’s far-right views on nation and nationhood, as well as the national communist view on Romanianness. As far as the former is concerned, I highlight the structural similarities between Puric’s nationalism and anti-Semitic discourse. With respect to the latter, I draw attention to Puric’s reliance on two of the several national communist myths identified by Romanian historian Lucian Boia: the myth of continuity and the myth of conspiracy. Puric’s book dovetails with national communist discourse by postulating the alleged continuity between the peoples and cultures that have existed in Romania’s current geographic location across the centuries and retains its communist fears of foreign conspiracy.