移动的乐趣:通过弗拉门戈身体来绘制空间

IF 0.3 3区 艺术学 0 THEATER Studies in Theatre and Performance Pub Date : 2021-04-09 DOI:10.1080/14682761.2021.1913322
Miriana Lausic
{"title":"移动的乐趣:通过弗拉门戈身体来绘制空间","authors":"Miriana Lausic","doi":"10.1080/14682761.2021.1913322","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article develops an analysis of flamenco performance and religious processions in Andalusia by deploying and extending Jean-Luc Nancy’s concept of drawing, using the results of extensive ethnographic field research completed by the author among the Roma community in southern Spain. The article demonstrates how the Gitano body becomes a corpus of drawing, in Nancy’s sense, through a performance of tracing. The logic of this trace entails an originary intermingling of time and space, as well as a structural overlapping of the animate and the inanimate. Far from being purely abstract, such tracing is read as the choreographed self-portraiture of the Gitano community itself. The author argues that the performers and ethnographic researcher meet and intersect in a shared space of extension. In this sense, the tracing of flamenco bodies parallels the performative dimension of auto-ethnographic writing.","PeriodicalId":42067,"journal":{"name":"Studies in Theatre and Performance","volume":"35 1","pages":"155 - 170"},"PeriodicalIF":0.3000,"publicationDate":"2021-04-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The pleasure in moving: drawing the space through flamenco bodies\",\"authors\":\"Miriana Lausic\",\"doi\":\"10.1080/14682761.2021.1913322\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This article develops an analysis of flamenco performance and religious processions in Andalusia by deploying and extending Jean-Luc Nancy’s concept of drawing, using the results of extensive ethnographic field research completed by the author among the Roma community in southern Spain. The article demonstrates how the Gitano body becomes a corpus of drawing, in Nancy’s sense, through a performance of tracing. The logic of this trace entails an originary intermingling of time and space, as well as a structural overlapping of the animate and the inanimate. Far from being purely abstract, such tracing is read as the choreographed self-portraiture of the Gitano community itself. The author argues that the performers and ethnographic researcher meet and intersect in a shared space of extension. In this sense, the tracing of flamenco bodies parallels the performative dimension of auto-ethnographic writing.\",\"PeriodicalId\":42067,\"journal\":{\"name\":\"Studies in Theatre and Performance\",\"volume\":\"35 1\",\"pages\":\"155 - 170\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2021-04-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studies in Theatre and Performance\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14682761.2021.1913322\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Theatre and Performance","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14682761.2021.1913322","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
引用次数: 0

摘要

文摘本文发展弗拉门戈的分析性能和安达卢西亚的宗教游行通过部署和扩展jean - luc南希的图的概念,使用广泛的人类学领域的研究结果完成作者在西班牙南部的罗马社区。这篇文章展示了吉塔诺的身体是如何成为绘画的主体的,在南希的意义上,通过追踪的表现。这种轨迹的逻辑需要时间和空间的原始交融,以及有生命和无生命的结构重叠。这种追踪远非纯粹的抽象,而是被解读为吉塔诺社区本身精心设计的自画像。作者认为,表演者和民族志研究者在一个共同的扩展空间中相遇和相交。从这个意义上说,对弗拉门戈尸体的追踪与自我民族志写作的表演维度是平行的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
The pleasure in moving: drawing the space through flamenco bodies
ABSTRACT This article develops an analysis of flamenco performance and religious processions in Andalusia by deploying and extending Jean-Luc Nancy’s concept of drawing, using the results of extensive ethnographic field research completed by the author among the Roma community in southern Spain. The article demonstrates how the Gitano body becomes a corpus of drawing, in Nancy’s sense, through a performance of tracing. The logic of this trace entails an originary intermingling of time and space, as well as a structural overlapping of the animate and the inanimate. Far from being purely abstract, such tracing is read as the choreographed self-portraiture of the Gitano community itself. The author argues that the performers and ethnographic researcher meet and intersect in a shared space of extension. In this sense, the tracing of flamenco bodies parallels the performative dimension of auto-ethnographic writing.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.60
自引率
33.30%
发文量
11
期刊最新文献
Meaningful agency in participatory performance: a contextual approach Irish rebellion in-yer-face or consigned to history: Seán O’Casey’s The Plough and the Stars in 2016 Physical solidarity as feeling the feeling Daughters Opera: an epistemic representation of feminist solidarities Hyper-femininity as radical resistance: re-envisaging the starlet through a feminist practice of solidarity in It’s Sophie! (2018)
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1