豪宅神话般的历史记忆中的空间和时间

O. Ryndina
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引用次数: 0

摘要

本文致力于在历史回顾中重构时空连续体的图像,通过曼西斯民族文化的物质世界表达,集中在民俗领域。这种方法论是基于神话思维的特殊性,并在时间和空间的关系中折射出来。来源基础由20世纪初收集的曼西斯民间传说文本组成。在前人的基础上,作者将曼西斯的神话和诗歌历史划分为三个时期。分类的依据是主要人物的代际关系原则。第一个时期与原始创造和“老夫妇”或最高神努姆-托鲁姆的时代有关。其中的时间和空间是丰富的,并通过水和土地的形象来表达。无限作为空间的初始状态,被时间的度量所取代,强调了空间的有限性和局限性。三位一体原理在计算时间方面占统治地位。第二个时期是由最高神的儿子——Taryg-peshch-nimal'-sova和熊的行为设定的。这个空间被描述为多维的:地球和近地球体——天空、地下、水和Mortim-maa的南部土地,以及地下世界或死亡世界。特别要注意的是“树皮土”,它的特点是景观:首先是河流,还有沼泽,灌木丛,山脉,鬃毛。“自己的土地”作为一种与空间联系的个人形式的观念是固定的。空间的文化被强调,它的标志是村庄、堡垒、谷仓、瘟疫,而神圣的部分——“神圣的地方”——脱颖而出。对时间的感知也以多维度为特征。一方面,相对性是由于“远-近”的对立,与运动相关,另一方面,有时间计算的帮助下,光明和黑暗的部分的一天,强调早晨和晚上作为一天的序幕和尾声。第三个时期成为人类活动的舞台,在各种民间传说中,人类本性的表现形式——Ekva-pyris,人民英雄,兄弟邦Por和Mos的祖先。这里主要的是活动和动作,通过这些活动和动作,时间空间的感觉得以传递。空间被认为是局部的,尽管局部具体化的程度是不同的:一方面,是一个无限遥远的领土,另一方面,是对真实定居点和地理对象的地形验证参考。对时间的解释,尤其是在英雄史诗中,是尽可能接近线性历史的。在这一时期,出现了最发达的时间计算系统,其中天文单位占主导地位——一年是冬夏、白天和黑夜的总和。同时,一天被解释为人类生命的时间和生命本身。时空入口的存在,在宅邸世界的总体图景中,穿插着空间和时间的具体表达,固有于时期。
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Space and time in the mythical-historical memory of the mansis
The paper is devoted to the reconstruction in historical retrospection of the images of the space-time continuum, expressed through the material world of the Mansis ethnic culture and concentrated in the folklore sphere. The methodology is set by the postulates about the specificity of mythological thinking, refracted in relation to time and space. The source base was made up of the Mansis folklore texts collected from the beginning of the 20th century. Following his predecessors, the author distinguishes three periods in the mythological and poetic history of the Mansis. The classification is based on the principle of generational affiliation of the main characters. The first period is associated with the era of primordial creation and the “old couple” or the supreme deity Num-Torum. Time and space in it are substantial and are expressed through the images of water and earth. Infinity, as the initial state of space, is replaced by a measurement through time, which emphasizes its finiteness and limitation. The principle of trinity dominates in the reckoning of time. The second period is set by the acts of the sons of the supreme deity - Taryg-peshch-nimal'-sova and the bear. The space is desribed multidimensional: the earth and near-earth spheres -the sky, the underground, the water and the southern land of Mortim-maa, as well as the underworld or the dead world. Particular attention is paid to the “bark soil”, which is characterized by landscape: first of all, rivers, but also swamps, thickets, mountains, manes. The idea of “one's own land” as a personal form of connection with space is fixed. The culture of the space is emphasized, the signs of which are villages, fortresses, barns, plague, and the sacred part - “sacred place” - stands out. The perception of time is also distinguished by multidimensionality. On the one hand, relativity is attributed to it due to the opposition “far -close”, correlated with movement, on the other hand, there is time reckoning with the help of the light and dark parts of the day, accentuation of morning and evening as the prologue and epilogue of the day. The third period becomes the arena of human action, and in various folklore forms of manifestation of human nature - Ekva-pyris, people-heroes, the progenitors of the phratries Por and Mos. The main thing here is activities and actions through which the feeling of timespace is transmitted. Space is thought of locally, although the degree of local concretization is different: on the one hand, an indefinitely distant territory, and on the other, a topographically verified reference to real settlements and geographical objects. The interpretation of time, and above all in the heroic epic, is as close as possible to the linear historical. During this period, there is the most developed system of calculating time, in which astronomical units dominate - the year as the sum of winter and summer, day and night. At the same time, the day is interpreted both as the time of human life and life itself. The presence of spatio-temporal portals intersperses the specifics of the expression of space and time, inherent in periods, in the general picture of the Mansis world.
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