{"title":"幽默的批斗会17日的维也纳热舞剧场和18 .世纪","authors":"A. Keck","doi":"10.1163/18796583-04403006","DOIUrl":null,"url":null,"abstract":"During the 17th and 18th century the ‘Hanswurst’ figures as the most prominent fool in plays of travelling theatres in German speaking countries. The following article concentrates on Vienna and its theatrical culture. It conceives the dramatic function of this special fool as an artful intervention that opens up a space of/for cultural and aesthetic negotiations. The author will argue that this ‘playground’ constitutes a culture of popular entertainment, which paradoxically ends at the moment of its instauration.","PeriodicalId":52008,"journal":{"name":"DAPHNIS-ZEITSCHRIFT FUR MITTLERE DEUTSCHE LITERATUR","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2016-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Komische Interventionen: Der Hanswurst und das Wiener Spaßtheater des 17. und 18. Jahrhunderts\",\"authors\":\"A. Keck\",\"doi\":\"10.1163/18796583-04403006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"During the 17th and 18th century the ‘Hanswurst’ figures as the most prominent fool in plays of travelling theatres in German speaking countries. The following article concentrates on Vienna and its theatrical culture. It conceives the dramatic function of this special fool as an artful intervention that opens up a space of/for cultural and aesthetic negotiations. The author will argue that this ‘playground’ constitutes a culture of popular entertainment, which paradoxically ends at the moment of its instauration.\",\"PeriodicalId\":52008,\"journal\":{\"name\":\"DAPHNIS-ZEITSCHRIFT FUR MITTLERE DEUTSCHE LITERATUR\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2016-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"DAPHNIS-ZEITSCHRIFT FUR MITTLERE DEUTSCHE LITERATUR\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/18796583-04403006\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, GERMAN, DUTCH, SCANDINAVIAN\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"DAPHNIS-ZEITSCHRIFT FUR MITTLERE DEUTSCHE LITERATUR","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/18796583-04403006","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, GERMAN, DUTCH, SCANDINAVIAN","Score":null,"Total":0}
Komische Interventionen: Der Hanswurst und das Wiener Spaßtheater des 17. und 18. Jahrhunderts
During the 17th and 18th century the ‘Hanswurst’ figures as the most prominent fool in plays of travelling theatres in German speaking countries. The following article concentrates on Vienna and its theatrical culture. It conceives the dramatic function of this special fool as an artful intervention that opens up a space of/for cultural and aesthetic negotiations. The author will argue that this ‘playground’ constitutes a culture of popular entertainment, which paradoxically ends at the moment of its instauration.
期刊介绍：
Der "Daphnis" ist als Organ für die Erforschung der deutschen und neulateinischen Literatur vom Ausgang des 14. Jahrhunderts bis zur Mitte des 18. Jahrhunderts konzipiert worden. Er berücksichtigt darüber hinaus unter komparatistischem Aspekt auch die Beziehungen der Mittleren Deutschen Literatur zu den europäischen Literaturen dieses Zeitraums und widmet sich Problemen der frühneuhochdeutschen und neulateinischen Sprache.
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