Dorian Bandy, Yonatan Bar-Yoshafat, E. Buurman, Maria Christina Cleary
{"title":"投稿人说明","authors":"Dorian Bandy, Yonatan Bar-Yoshafat, E. Buurman, Maria Christina Cleary","doi":"10.1017/s1478570621000439","DOIUrl":null,"url":null,"abstract":"Dorian Bandy is Assistant Professor at McGill University’s Schulich School of Music, where he teaches musicology and historical performance. His research interests include Mozart and Beethoven, with a particular emphasis on improvisation and the relationship between composition and performance. Recent publications include articles in Early Music and the Cambridge Opera Journal, and current projects include a monograph on Mozart.","PeriodicalId":11521,"journal":{"name":"Eighteenth Century Music","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2022-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Notes on Contributors\",\"authors\":\"Dorian Bandy, Yonatan Bar-Yoshafat, E. Buurman, Maria Christina Cleary\",\"doi\":\"10.1017/s1478570621000439\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Dorian Bandy is Assistant Professor at McGill University’s Schulich School of Music, where he teaches musicology and historical performance. His research interests include Mozart and Beethoven, with a particular emphasis on improvisation and the relationship between composition and performance. Recent publications include articles in Early Music and the Cambridge Opera Journal, and current projects include a monograph on Mozart.\",\"PeriodicalId\":11521,\"journal\":{\"name\":\"Eighteenth Century Music\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-02-14\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Eighteenth Century Music\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/s1478570621000439\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Eighteenth Century Music","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/s1478570621000439","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Dorian Bandy is Assistant Professor at McGill University’s Schulich School of Music, where he teaches musicology and historical performance. His research interests include Mozart and Beethoven, with a particular emphasis on improvisation and the relationship between composition and performance. Recent publications include articles in Early Music and the Cambridge Opera Journal, and current projects include a monograph on Mozart.
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