王陵石像Sŏngdŏk(中国):新罗王朝皇家丧葬雕塑的开端

IF 0.2 4区 社会学 0 ASIAN STUDIES Acta Koreana Pub Date : 2017-12-01 DOI:10.18399/acta.2017.20.2.006
Lim Young-ae
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引用次数: 3

摘要

摘要:皇室墓葬石像最早出现在统一新罗时期(668-935)的王陵Sŏngdŏk,象征着丧葬雕塑传统的开始,后来发展成为一种独特的新罗美学,尽管方式有限。石像可分为两类。第一类包括被称为“木官相”的军事官员雕像,而第二组则由被称为“木官相”的战士雕像组成。然而,在Sŏngdŏk埋葬地点只能找到第一种类型。新罗时期的武官雕像有很多特点,比如穿盔甲、藏手、拿剑等。通过对历史记录、当代石工和背景因素的综合考察,可以得出结论,皇家陵墓的石像并非像人们普遍认为的那样与墓地的建造同时产生。更确切地说,这些石像是后来被埋葬的人的继任者委托添加的。促使这些石像生产的动机主要是政治性质的,但可以归因于几个原因,具体到每个统治者的情况。此外,观察到的Sŏngdŏk军官雕像与唐朝的类似雕像之间的相似之处表明,朝鲜的丧葬石雕传统可以追溯到中国的影响。然而,各个文化的雕像之间的差异也表明,新罗王朝实施了自己的审美,并最终形成了自己的风格,尽管这种雕塑的生产仍然受到极大的限制。
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Stone Statues at the Royal Tomb of King Sŏngdŏk (聖德王): The Beginning of Royal Funerary Sculpture in the Silla Dynasty
Abstract:Stone statues created for royal funerary sites first appear in the Unified Silla period (668–935) at the royal tomb of King Sŏngdŏk and symbolize the beginning of a funerary sculptural tradition that would later develop, albeit in a limited manner, into a uniquely Silla aesthetic. The stone statues can be categorized into two types. The first includes statues of military officials called mugwansang (武官像) while the second group is made up of statues of warriors called muinsang (武人像). However, only the first type can be found at the Sŏngdŏk burial site. The statues of military officials in the Silla dynasty are distinguishable by a number of characteristics such as the presence of armor, hidden hands and the presence of a sword. From a combined examination of historical records, contemporary stonework and contextual considerations, it can be concluded that the stone statues of the royal tombs were not produced simultaneously with the construction of the burial site as is generally believed. Rather, these stone statues were later additions commissioned by the successors of the buried individuals. The motivation prompting the production of these stone statues was dominantly political in nature but could be attributed to several reasons that were specific to each ruler's circumstances. Furthermore, the observed parallels between the Sŏngdŏk statues of military officials and their Tang dynasty equivalents suggest that the Korean tradition of funerary stone sculpture can trace its beginning to Chinese influence. However, the differences between the statues of each respective culture also signify that the Silla dynasty implemented its own aesthetic and eventually developed its own style though the production of such sculpture remained extremely restricted.
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Acta Koreana
Acta Koreana ASIAN STUDIES-
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