{"title":"不工作的形象与关怀伦理:在懂得如何生活与懂得如何写作之间","authors":"Valeria Graziano","doi":"10.1215/17432197-8947879","DOIUrl":null,"url":null,"abstract":"Abstract:The hypothesis of a post-work society has provoked a newfound interest in the role of imagination in political thinking, made explicit by many authors who turned to the literary genres of utopian and sci-fi writing to sketch possible scenarios of a jobless future. This article proposes instead another mode of constructing political narratives, that of figuration. It reclaims three specific figures to demonstrate how it might be possible to build a public sphere of “unwork.” The first is Bazlen, a fictional character of a writer who never wrote; the second is the collective figure of African American “othermothers”; and finally the third is Amy, the girl who gave flesh to Carol Gilligan’s “ethics of care” proposition. Departing from these specific figures, the article tackles the problem of reimagining the labors (and pleasures) of social reproduction and creative action away from the work regime. It describes how processes of subjectivation sedimented in collective imaginary impact various modes of being together and naming social cooperation. The conclusions propose that the relationship between living labor and knowledge is a nexus that can escape the violence of capitalist relations only by understanding political action as a plural capacity of unwork.","PeriodicalId":35197,"journal":{"name":"Cultural Politics","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Figures of Unwork and Ethics of Care: Between Knowing How to Live and Knowing How to Write\",\"authors\":\"Valeria Graziano\",\"doi\":\"10.1215/17432197-8947879\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:The hypothesis of a post-work society has provoked a newfound interest in the role of imagination in political thinking, made explicit by many authors who turned to the literary genres of utopian and sci-fi writing to sketch possible scenarios of a jobless future. This article proposes instead another mode of constructing political narratives, that of figuration. It reclaims three specific figures to demonstrate how it might be possible to build a public sphere of “unwork.” The first is Bazlen, a fictional character of a writer who never wrote; the second is the collective figure of African American “othermothers”; and finally the third is Amy, the girl who gave flesh to Carol Gilligan’s “ethics of care” proposition. Departing from these specific figures, the article tackles the problem of reimagining the labors (and pleasures) of social reproduction and creative action away from the work regime. It describes how processes of subjectivation sedimented in collective imaginary impact various modes of being together and naming social cooperation. The conclusions propose that the relationship between living labor and knowledge is a nexus that can escape the violence of capitalist relations only by understanding political action as a plural capacity of unwork.\",\"PeriodicalId\":35197,\"journal\":{\"name\":\"Cultural Politics\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cultural Politics\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/17432197-8947879\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Social Sciences\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cultural Politics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/17432197-8947879","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Social Sciences","Score":null,"Total":0}
Figures of Unwork and Ethics of Care: Between Knowing How to Live and Knowing How to Write
Abstract:The hypothesis of a post-work society has provoked a newfound interest in the role of imagination in political thinking, made explicit by many authors who turned to the literary genres of utopian and sci-fi writing to sketch possible scenarios of a jobless future. This article proposes instead another mode of constructing political narratives, that of figuration. It reclaims three specific figures to demonstrate how it might be possible to build a public sphere of “unwork.” The first is Bazlen, a fictional character of a writer who never wrote; the second is the collective figure of African American “othermothers”; and finally the third is Amy, the girl who gave flesh to Carol Gilligan’s “ethics of care” proposition. Departing from these specific figures, the article tackles the problem of reimagining the labors (and pleasures) of social reproduction and creative action away from the work regime. It describes how processes of subjectivation sedimented in collective imaginary impact various modes of being together and naming social cooperation. The conclusions propose that the relationship between living labor and knowledge is a nexus that can escape the violence of capitalist relations only by understanding political action as a plural capacity of unwork.
期刊介绍:
Cultural Politics is an international, refereed journal that explores the global character and effects of contemporary culture and politics. Cultural Politics explores precisely what is cultural about politics and what is political about culture. Publishing across the arts, humanities, and social sciences, the journal welcomes articles from different political positions, cultural approaches, and geographical locations. Cultural Politics publishes work that analyzes how cultural identities, agencies and actors, political issues and conflicts, and global media are linked, characterized, examined, and resolved. In so doing, the journal supports the innovative study of established, embryonic, marginalized, or unexplored regions of cultural politics. Cultural Politics, while embodying the interdisciplinary coverage and discursive critical spirit of contemporary cultural studies, emphasizes how cultural theories and practices intersect with and elucidate analyses of political power. The journal invites articles on representation and visual culture; modernism and postmodernism; media, film, and communications; popular and elite art forms; the politics of production and consumption; language; ethics and religion; desire and psychoanalysis; art and aesthetics; the culture industry; technologies; academics and the academy; cities, architecture, and the spatial; global capitalism; Marxism; value and ideology; the military, weaponry, and war; power, authority, and institutions; global governance and democracy; political parties and social movements; human rights; community and cosmopolitanism; transnational activism and change; the global public sphere; the body; identity and performance; heterosexual, transsexual, lesbian, and gay sexualities; race, blackness, whiteness, and ethnicity; the social inequalities of the global and the local; patriarchy, feminism, and gender studies; postcolonialism; and political activism.