一个自我民族志的表演:研究人员的故事子宫切除术和更年期作为行为的抵抗和行动

Grace O' Grady
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引用次数: 0

摘要

在开始对年轻人如何构建自我认同进行大规模调查的一年后,我生病了,随后接受了腹部手术,导致了提前绝经。这个过程经历了创造性的创伤,被称为“巧妙的自我民族志”,使用视觉图像和诗歌来讲述一个“脆弱,唤起和治疗”的故事,关于疾病,更年期,以及他们在权力交叉关系中的主体地位。这个过程被认为是一种剥夺权力的过程,被称为一种抵抗和行动主义的行为。这种表演人种学符合对定性调查者超越严格的方法界限的呼吁。特别值得一提的是,这次表演中行动主义的声音处于数据(人的声音和视觉艺术作品)和理论之间的空间。为此,在抵制分层制度/医学话语的过程中,表演试图为公共/私人生活中的民族志和行动主义的合并创造一个空间。
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An Autoethnographic Performance: The Researcher’s Story of Hysterectomy and Menopause as Act of Resistance and Activism
One year after beginning a large-scale research inquiry into how young people construct their identities I became ill and subsequently underwent abdominal surgery which triggered an early menopause. The process which was experienced as creatively bruising called to be written as “Artful Autoethnography” using visual images and poetry to tell a “vulnerable, evocative and therapeutic” story of illness, menopause, and their subject positions in intersecting relations of power. The process which was experienced as disempowering called to be performed as an act of resistance and activism. This performance ethnography is in line with the call for qualitative inquirers to move beyond strict methodological boundaries. In particular, the voice of activism in this performance is in the space between data (human voice and visual art pieces) and theory. To this end, and in resisting stratifying institutional/medical discourse, the performance attempts to create a space for a merger of ethnography and activism in public/private life.
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