{"title":"乌拉圭的西班牙主义和艺术收藏(1910-1940)。felix Ortiz de Taranco和Fernando garcia Casalia的艺术画廊","authors":"Carolina Porley","doi":"10.25185/3.5","DOIUrl":null,"url":null,"abstract":"The article studies two important Spanish art collections gathered in Montevideo by the businessmen and collectors Felix Ortiz de Taranco(1866-1940) and Fernando Garcia Casalia (1887-1945). These galleries were bequeathed to the Uruguayan state in the 1940s, and today have become part of the country’s artistic heritage. The article analyzes how these private galleries were formed, and the impact that Hispanism as a cultural movement had on the art consumption of the period. It also explores the relationship between the local art market and the economic and social development of Spanish immigrants. Both collectors’ cultural consumptions models are examined by comparing their collections, analyzing some emblematic paintings and exploiting documentary sources which had had not been previously researched.","PeriodicalId":52962,"journal":{"name":"Humanidades","volume":"27 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Hispanismo y coleccionismo artístico en Uruguay (1910-1940). Las pinacotecas de Félix Ortiz de Taranco y Fernando García Casalia\",\"authors\":\"Carolina Porley\",\"doi\":\"10.25185/3.5\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article studies two important Spanish art collections gathered in Montevideo by the businessmen and collectors Felix Ortiz de Taranco(1866-1940) and Fernando Garcia Casalia (1887-1945). These galleries were bequeathed to the Uruguayan state in the 1940s, and today have become part of the country’s artistic heritage. The article analyzes how these private galleries were formed, and the impact that Hispanism as a cultural movement had on the art consumption of the period. It also explores the relationship between the local art market and the economic and social development of Spanish immigrants. Both collectors’ cultural consumptions models are examined by comparing their collections, analyzing some emblematic paintings and exploiting documentary sources which had had not been previously researched.\",\"PeriodicalId\":52962,\"journal\":{\"name\":\"Humanidades\",\"volume\":\"27 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-06-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Humanidades\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.25185/3.5\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Humanidades","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.25185/3.5","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
本文研究了商人和收藏家Felix Ortiz de Taranco(1866-1940)和Fernando Garcia Casalia(1887-1945)在蒙得维的亚收集的两件重要的西班牙艺术收藏品。这些画廊在20世纪40年代被遗赠给乌拉圭政府,今天已成为该国艺术遗产的一部分。本文分析了这些私人画廊是如何形成的,以及西班牙语主义作为一种文化运动对这一时期艺术消费的影响。它还探讨了当地艺术市场与西班牙移民经济和社会发展之间的关系。本文通过对两位藏家的藏品进行比较,分析一些象征性的绘画,并利用文献资料来考察他们的文化消费模式。
Hispanismo y coleccionismo artístico en Uruguay (1910-1940). Las pinacotecas de Félix Ortiz de Taranco y Fernando García Casalia
The article studies two important Spanish art collections gathered in Montevideo by the businessmen and collectors Felix Ortiz de Taranco(1866-1940) and Fernando Garcia Casalia (1887-1945). These galleries were bequeathed to the Uruguayan state in the 1940s, and today have become part of the country’s artistic heritage. The article analyzes how these private galleries were formed, and the impact that Hispanism as a cultural movement had on the art consumption of the period. It also explores the relationship between the local art market and the economic and social development of Spanish immigrants. Both collectors’ cultural consumptions models are examined by comparing their collections, analyzing some emblematic paintings and exploiting documentary sources which had had not been previously researched.