{"title":"包豪斯杂志上的马德里人。gece的海报","authors":"Josenia Hervás y Heras","doi":"10.3989/AEARTE.2021.05","DOIUrl":null,"url":null,"abstract":"In the late twenties, Ernesto Gimenez Caballero became a binder of all avant-garde movements through his magazine La Gaceta Literaria, his Cinema-club, his shop La Galeria and his own creations. His eagerness for knowledge and prominence prompted him to travel and contact leading European people and institutions in terms of art and architecture of the Modern Movement, and he even wrote in the magazine published by the Bauhaus school. His adherence to fascist ideology in the 1930s led him to disown and even hide past experiences.","PeriodicalId":44318,"journal":{"name":"ARCHIVO ESPANOL DE ARTE","volume":"119 1","pages":"69-84"},"PeriodicalIF":0.1000,"publicationDate":"2021-02-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Un madrileño en la revista Bauhaus. Los carteles de Gecé\",\"authors\":\"Josenia Hervás y Heras\",\"doi\":\"10.3989/AEARTE.2021.05\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In the late twenties, Ernesto Gimenez Caballero became a binder of all avant-garde movements through his magazine La Gaceta Literaria, his Cinema-club, his shop La Galeria and his own creations. His eagerness for knowledge and prominence prompted him to travel and contact leading European people and institutions in terms of art and architecture of the Modern Movement, and he even wrote in the magazine published by the Bauhaus school. His adherence to fascist ideology in the 1930s led him to disown and even hide past experiences.\",\"PeriodicalId\":44318,\"journal\":{\"name\":\"ARCHIVO ESPANOL DE ARTE\",\"volume\":\"119 1\",\"pages\":\"69-84\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-02-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ARCHIVO ESPANOL DE ARTE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3989/AEARTE.2021.05\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ARCHIVO ESPANOL DE ARTE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3989/AEARTE.2021.05","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Un madrileño en la revista Bauhaus. Los carteles de Gecé
In the late twenties, Ernesto Gimenez Caballero became a binder of all avant-garde movements through his magazine La Gaceta Literaria, his Cinema-club, his shop La Galeria and his own creations. His eagerness for knowledge and prominence prompted him to travel and contact leading European people and institutions in terms of art and architecture of the Modern Movement, and he even wrote in the magazine published by the Bauhaus school. His adherence to fascist ideology in the 1930s led him to disown and even hide past experiences.
期刊介绍:
Archivo Español de Arte, a specialized quarterly journal publishing only original articles, was founded in 1925 by the “Council for the Furtherance of Scientific Studies and Research” (Junta para la Ampliación de Estudios e Investigaciones Científicas). Archivo Español de Arte is dedicated to research in all areas of the history of Spanish Art and foreign art in relation to Spain, from the Middle Ages to the present. This publication is oriented preferably to the research and university community, both national and international, as well as to all professionals in the art field.