雪花石膏和代理:格洛斯特大教堂的爱德华二世墓

Q4 Arts and Humanities Scripta Mediaevalia Pub Date : 2019-06-11 DOI:10.1353/MDI.2019.0004
Rachel Dressler
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引用次数: 0

摘要

摘要:爱德华二世墓是一座雄伟的纪念碑,其上层建筑有引人注目的阶梯式山墙结构和国王的雪花石膏雕像。考虑到爱德华统治的艰难历程,尤其是他的被废黜和死亡,这个纪念碑的精心设计是出乎意料的。同样令人惊讶的是,他的雕像使用了雪花石膏,因为这种材料以前从未用于雕像,当时也不是特别有价值的石头。这篇文章考虑了在国王悲惨结局的背景下,人们对这座坟墓和他的雪花石膏雕像的反应。雪花石膏有着悠久的宝石传统,将其与保存死者联系在一起,并在圣经中提到与基督的生活有关。这些联想,再加上雪花石膏的洁白和明亮,可能会使这位前统治者神圣化,从而掩盖了他生命末期的动荡,并使他的儿子爱德华三世继承王位合法化。
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Alabaster and Agency: The Tomb of Edward II in Gloucester Cathedral
Abstract:The Tomb of Edward II is an imposing monument with a striking tiered, gabled superstructure and an alabaster effigy of the king. The elaborate nature of this memorial is unexpected when one contemplates the difficult course of Edward's reign and, especially, its termination in his deposition and death. Equally surprising is the use of alabaster for his figure, as this material had never previously been used for an effigy and was not at the time a particularly valued stone. This essay considers what might have been the response to this tomb and to the alabaster figure of the king within the context of his grim end. Alabaster had a longstanding lapidary tradition that associated it with preserving the dead, and was mentioned in the Bible in relation to the life of Christ. These associations, when coupled with alabaster's whiteness and luminosity, may have worked to sanctify the former ruler, thus camouflaging the turbulence at the end of his life and legitimating the succession of his son Edward III to the throne.
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来源期刊
Scripta Mediaevalia
Scripta Mediaevalia Arts and Humanities-Philosophy
CiteScore
0.30
自引率
0.00%
发文量
14
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