当代动漫女巫故事的叙事复杂性:黑冢和巫妖妖的自我意识和可知性

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Brumal-Research Journal on the Fantastic Pub Date : 2020-12-20 DOI:10.5565/rev/brumal.627
Antonio Loriguillo-López
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引用次数: 1

摘要

奇幻是日本商业动画制作的主要主题框架之一。在这一类型中,各种改编和重新创作的神话和民间故事代表了丰富的资源,以满足一个极其多产的行业的需求。然而,尽管它作为一个研究对象很受欢迎,但对奇幻动画的研究很少超越其情节的主题或历史坐标。本文旨在探讨两部重要的电视动画系列——《黑冢》和《魔法精灵》中错综复杂的叙述与其中女巫的表现之间的关系。本文运用电影分析工具,运用自我意识和认知能力的叙事范畴,探讨了日本再现传统与当代视听作品叙事复杂性之间的关系。
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Narrative Complexity in Contemporary Anime Witch Tales: Self-Consciousness and Knowability in Kurozuka and Puella Magi Madoka Magica
The fantastic is one of the main thematic frames in the productions of Japanese commercial animation. Within this genre, the various adaptations and reworkings of myths and folktales represent fertile resources to cover the demands of an extremely prolific industry. However, despite its popularity as an object of study, research on fantastic anime rarely venture beyond the thematic or historical coordinates of their plots. This article aims to address the relationship between the intricate narration of two significant television anime series— Kurozuka and Puella Magi Madoka Magica —and the representation of the witches involved in them. Through the use of the narratological categories of self-consciousness and the cognoscibility, we apply film analysis tools to delve into the relationship between the Japanese representational tradition and the narrative complexity in contemporary audiovisual productions.
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来源期刊
Brumal-Research Journal on the Fantastic
Brumal-Research Journal on the Fantastic HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
自引率
0.00%
发文量
24
审稿时长
12 weeks
期刊介绍: Brumal. Research Journal on the Fantastic is presented as an interdisciplinary and multilingual publication aimed at researchers and specialists. The fantastic is understood here as an always problematic confrontation between the real and the impossible in a textual world imitating ours. Therefore, other non-mimetic genres like science fiction or fantasy, which do not adhere to this definition, are excluded in Brumal. Linked to the Grupo de Estudios sobre lo Fantástico (GEF, Research Group on the Fantastic) from the Universidad Autónoma de Barcelona (www.lofantastico.com), Brumal welcomes works on the fantastic dealing with its different artistic manifestations (narrative, theatre, cinema, comic, painting, photography and video-games), in any language and from any country during the 19th, 20th and 21st centuries. Texts can be sent in Spanish, Catalan, Galician, English, French, Portuguese or Italian. Brumal is structured in three differentiated sections (Monograph, Miscellaneous and Reviews) and will be published every six months (december and june).
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