理查德·罗德里格斯《亲爱的》精神自传体裁的再解读

Viktor Rakhnianskyi, A. Chernikova, P. Khabotniakova, Anna Gaidash
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引用次数: 0

摘要

本文对理查德·罗德里格斯的小说《亲爱的》中的精神自传体裁进行了重新解读。罗德里格斯的自传体散文描绘了他对遗产的极度痛苦的态度和潜伏在文化实践十字路口的陷阱。很长一段时间以来,这位作者一直被排除在奇卡诺文学的经典之外,被认为是一个“局外人”,因为他声称自己不是少数民族的代表,而是移民融入更广泛的美国主流社会的支持者。罗德里格斯强调个人的特权高于集体身份。本文主要研究了自传体叙述者罗德里格斯对民族认同的形成以及他对“自我认同”概念本质的看法的演变。此外,随着墨西哥裔美国人逐渐成为美国最大的民族文化群体,作者提出的身份认同、同化、异质性和文化混杂等问题仍然具有相关性和重要性。
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Reinterpretation of Spiritual Autobiography Genre in Richard Rodriguez’s Darling
The article is focused on the reinterpretation of the genre of spiritual autobiography in Richard Rodriguez’s novel Darling. Rodriguez’s autobiographical prose depicts his extremely embittered attitude to heritage and the pitfalls lurking at the crossroads of cultural practices. For a long time, this author had been placed outside the canon of Chicano literature and was considered an ‘outsider’ because of his statement that he was not a representative of a minority but a supporter of the assimilation of immigrants into the broader mainstream American society. Rodriguez emphasized the privilege of the individual over the collective identity. The study focuses on the formation of ethnic identity by autobiographical narrator Rodriguez and the evolution of his views on the nature of the concept of ‘self-identification’. In addition, as Mexican-Americans are gradually becoming the largest ethno-cultural group in the United States of America, the issues of identity, assimilation, heterogeneity and cultural hybridity raised by the author stay relevant and important.
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