Preservation and Negotiation of History and Identity in Lexington, Kentucky

I want modernism to emerge as a distinctive patterning of mental and technical possibilities. . . . “Modernity” means contingency. It points to a social order which has turned from the worship of ancestors and past authorities to the pursuit of a projected future—of goods, pleasures, freedoms, forms of control over nature, or infinities of information. This process goes along with a great emptying and sanitizing of the imagination. Without ancestor-worship, meaning is in short supply—“meaning” here meaning agreed-on and instituted forms of value and understanding, implicit orders, stories and images in which a culture crystallizes its sense of the struggle with the realm of necessity and the reality of pain and death. . . . We know we are living a new form of life, in which all previous notions of belief and sociability have been scrambled. And the true terror of this new order has to do with its being ruled—and obscurely felt to be ruled—by sheer concatenation . . . that is, by a system without any focusing purpose to it, or any compelling image or ritualization of that purpose.