阿戈塔·克里斯托夫三部曲(《恋恋笔记本》、《证据》、《第三个谎言》)中的助记叙事法

IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Chinese Semiotic Studies Pub Date : 2023-04-25 DOI:10.18287/2782-2966-2023-3-1-55-63
K. A. Sundukova
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引用次数: 0

摘要

本文从记忆诗学的角度分析了匈牙利籍瑞士作家阿戈塔·克里斯托夫的三部小说。三部曲致力于表现生活被一系列历史灾难摧毁的人的意识。每部小说都呈现了卢卡斯和Сlaus兄弟生活的略有不同的版本,他们对过去创伤事件的记忆。在主人公的记忆中,现实被扭曲到如此程度,以至于第一部小说中双胞胎兄弟的存在受到质疑。在艺术层面上,重构事件真实过程的可能性不断受到质疑。在这一点上,三部曲可以从它实施记忆叙事方法的角度来考虑,这是一种特殊的叙事方法,它涉及到创造一个新颖的英雄人物,他的内心生活转向过去。这种方法是基于一种有意识的创造性方法来描述回溯思维,以及一种关于过程和描述方法的反思方法。
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Mnemonic narrative method in the trilogy by Agota Kristof (“The Notebook”, “The Proof”, “The Third Lie”)
The article analyzes three novels by the Hungarian-Swiss writer Agota Kristof through the poetics of memory. The trilogy is dedicated to the representation of the consciousness of the person whose life is destroyed by a series of historical cataclysms. Every novel presents a slightly different version of Lucas and Сlaus brothers life, their memories of the past traumatic events. In the hero's memories, the reality is distorted to such an extent that the very existence of the twin brother from the first novel is called into question. At the artistic level, the possibility of reconstructing the true course of events is constantly problematized. In this regard, the trilogy can be considered from the point of view of implementing the mnemonic narrative method in it - a special narrative method, which involves the creation of a novel hero character, whose inner life is turned to the past. This method is based on a conscious creative approach to description of the retracing mind and an approach to reflection about the process and description methods.
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来源期刊
Chinese Semiotic Studies
Chinese Semiotic Studies HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
自引率
0.00%
发文量
36
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