龙瑶与马来西亚玻里斯暹罗社区的少数族群认同表现

IF 0.2 N/A MUSIC Malaysian Journal of Music Pub Date : 2019-04-01 DOI:10.37134/MJM.VOL8.1.2019
Chayuti Tassanawongwara, H. Hussin
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引用次数: 4

摘要

在Perlis的暹罗社区的klong yao表演是从泰国中部的泰国社区采用的。在此之前,暹罗社区的民族意识是面向泰国的地方变体,在语言和地缘政治参考方面与泰国南部人民相似。在龙瑶被积极地纳入他们的文化实践之后,暹罗社区开始发展一种具有代表性的身份,加强了泰国中部的文化表达。在这方面,龙瑶的表演重建了马来西亚珀斯暹罗社区对泰国中部身份的认同。从本地和边缘化的暹罗身份到霸权和集中的泰国身份的转变,在马来西亚的各种场合展示文化表演时,选择使用龙瑶作为他们身份的代表。
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Klong yao and the Performance of Minority Identity in the Siamese Community of Perlis, Malaysia
The klong yao performance in the Siamese communities of Perlis was adopted from the Thai community in Central Thailand. Before this adoption, the ethnic consciousness of the Siamese communities was oriented towards a local variation of Thai-ness with similarities to southern Thai people in terms of linguistic and geopolitical references. After the klong yao was actively included in their cultural practices, the Siamese communities began to develop a representative identity that reinforced Central Thai cultural expressions. In this respect, the performance of klong yao reconstructs the identity of the Siamese communities in Perlis, Malaysia toward a Central Thai identity. The shift from a local and marginalised type of Siamese identity to a hegemonic and centralised Thai identity is observed with the choice to use klong yao as a representation of their identity during Malaysia’s various occasions for showcasing cultural performances.
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